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			CAPITAL KIND OF STRAIN - Autolux
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Tabbed by: itsonlycapital
Email: itsonlycapital@gmail.com

Tuning: Half step down

The whole song is mainly a single guitar riff backed by Carla's
awesome echoing drums.  The bass (if you're curious) doesn't
even come in until over two-thirds into the song and adds noise
and feedback with an Ab note bending up to and down from an A note.

This is the main guitar part.  It's not much work for your
fretting hand, but it can help if you're just learning alternate
picking.  Let all the notes ring here.

     e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)eq (022000@1)   q    q     q
D#|--------------------------|----------------------|
A#|--------------------------|----------------------|
F#|-----------------9--------|----------------------|
C#|-----------7-----------7--|----------------------|
G#|-----0--------------------|----------------------|
D#|--8-----8-----8-----8-----|--8----8----10----10--|


Greg will sometimes change the ending on that riff with

     q    q    q    q		   q    q    q    q
D#|--------------------|	|--------------------|
A#|--------------------|	|--------------------|
F#|--------------------|  -or-  |--------------------|
C#|--------------------|	|--------------------|
G#|------------9----9--|	|--------------------|
D#|--8----8------------|	|--8----8----9----9--|


Just before the three minute mark Greg tosses in this piece:

     e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)e (022000@1)   e (022000@1)  e (022000@1)e (022000@1)e (022000@1)e (022000@1)  e (022000@1)e (022000@1)eD#|--------------------------|------------------------------| (022000@1)A#|--------------------------|------------------------------|
F#|-----------------9--------|-------------6-------------4--|
C#|-----------7-----------7--|------------------------------|
G#|-----0--------------------|----------0-------------0-----|
D#|--8-----8-----8-----8-----|--85--5--------53--3--------|

After that, at about 3:21, during the fadeout before the noisefest
Greg just plays a number of bars of quarter B notes on the D# string.
Those disappear in a haze of effects and at 3:49 the noise begins
and you're back to playing the main riff again until the end.

That's it.  Just listen to the song to find out where the
change-ups fit in and you've got it.  Not too bad.