This is essentially the same as one of the other versions here. However, instead
of putting in the actual chord names, I put the chord (shapes) relative to the 
capo. The capo is on the 4th fret. I figure it'd be easier to figure out. 

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E (022100@1)name="chord_x02220@1">A D (xx0232@1)name="chord_320003@1">G B (x2444x@1)name="chord_022100@1">E

x 3 2 0 0 0	CM7x (x3131x@1)3 0 0 0 0	CM7sus2
x 3 2 0 3 3	Cadd90 (x32030@1)2 0 0 0 3	Em7
1 3 3 2 0 0	FM#11
x 0 2 0 1 3	Am7 (x02010@1)
C (x32010@1)    CM7Half (x3131x@1)forgotten things
C (x32010@1)    CM7 (x3131x@1)        CM7sus2  Em (022000@1)   FM#11
In the depths of time they lie
C (x32010@1)    CM7With (x3131x@1)significance
C (x32010@1)    CM7 (x3131x@1)        CM7sus2  Em (022000@1)   FM#11     FWaiting (133211@1)for the simplest sign of life
C (x32010@1)name="chord_x3131x@1">CM7
See the evidence
C (x32010@1)    CM7 (x3131x@1)        CM7sus2  Em (022000@1)   FM#11     F (133211@1)That expense is part of life in time


Cadd9 (x32030@1)          Am7 (x02010@1)     Em7  FM#11  FAlways (133211@1)worth it if only to realise
Cadd9 (x32030@1)          Am7 (x02010@1)  Em7   FM#11    FNot (133211@1)always perfect but somehow deserving of time

C (x32010@1)name="chord_x3131x@1">CM7
Disconnected things
C (x32010@1)    CM7 (x3131x@1)        CM7sus2  Em (022000@1)   FM#11     FYou (133211@1)exist within a kind of truth
C (x32010@1)    CM7 (x3131x@1)        CM7sus2  Em (022000@1)   FM#11     FAnd (133211@1)the consequence is a consummated trail of time


Cadd9 (x32030@1)          Am7 (x02010@1)     Em7  FM#11  FAlways (133211@1)worth it if only to realise
Cadd9 (x32030@1)          Am7 (x02010@1)  Em7   FM#11    FNot (133211@1)always perfect but somehow deserving of time

G (320003@1)	    AmYou've (x02210@1)no way out, no path in
       GSet (320003@1)on paper, half in stone
	        AmYou're (x02210@1)on your own

Em (022000@1)  FM#11     F (133211@1)Always worth it if only to realise
Not always perfect but somehow deserving of time