Here is a no capo version. Its the same key as the previous tab, just an octave lower.
This is just how I play it and is open to interpretation. Listen to the song to decide
where you want to finger pick and/or strum. Each verse is 8 measures, 1 chord per 
measure = 8 chords per verse. That's just how I remember the rhythm.

Standard tuning

Intro/verse picking pattern:

C|---------0------------------0---------| (x32010@1)|--------------------------------------|
|---0-----------0--0--0----------0---0-|
|--------------------------------------|
|-3---3-----------3--3--3----------3---|
|--------------------------------------|

F barre
|---------1------------------1---------|
|--------------------------------------|
|---2-----------2--2--2----------2---2-|
|--------------------------------------|
|-3---3-----------3--3--3----------3---|
|--------------------------------------|

Gbarre (320003@1)           Fbarre (133211@1)|---------3------------------1---------|
|--------------------------------------|
|---4-----------4--4--2----------2---2-|
|--------------------------------------|
|-5---5-----------5--3--3----------3---|
|--------------------------------------|

C|---------0------------------0---------| (x32010@1)|--------------------------------------|
|---0-----------0--0--0----------0---0-|
|--------------------------------------|
|-3---3-----------3--3--3----------3---|
|--------------------------------------|



Intro x1: C C F F G F C C

C (x32010@1)              CWell (x32010@1)she was standing in the bar
     F (133211@1)            FI (133211@1)said, "Hello, how do you do?"
    G (320003@1)         F (133211@1)                C (x32010@1)CShe (x32010@1)handed me a beer with a candle

C (x32010@1)            C (x32010@1)          FShe (133211@1)spoke of places I had never been
              FThat (133211@1)she had traveled to
    G (320003@1)              F (133211@1)                C (x32010@1) CAnd (x32010@1)we slowed danced along to faster tunes

C (x32010@1)                              C (x32010@1)                        FI (133211@1)made her laugh, I made a pass, I showed her my half dollar ring
                          FShe (133211@1)said, "That's pretty cool,
    G (320003@1)                 F (133211@1)                C (x32010@1)  CBut (x32010@1)classy girls don't kiss in bars, you fool"

Interlude: C C F F G F C C

C (x32010@1)          CSo (x32010@1)later on the crowd calmed down
    F (133211@1)          FAnd (133211@1)I believe it was as if
  G (320003@1)              F (133211@1)            C (x32010@1) CSomething (x32010@1)drew me closer to her lips

C (x32010@1)          C (x32010@1)               F (133211@1)              FSo (133211@1)picture my surprise when I had tried to lean in for a kiss
    G (320003@1)                 F (133211@1)                  C (x32010@1) CAnd (x32010@1)she just smiled and turned her head down

CI (x32010@1)asked her, "Why?" and she replied,
 C (x32010@1)                        F (133211@1)                      F"It (133211@1)was nothing I was doing wrong, its just what it is"
      G (320003@1)                F (133211@1)               C (x32010@1) CNo, (x32010@1)classy girls don't kiss in bars like this

F (133211@1)                GNo, (320003@1)classy girls don't kiss in bars
    F (133211@1)                GBoys (320003@1)will break their backs and hearts
    F (133211@1)               G (320003@1)                CF GG
But its alright, the hardest part is through

C F G G
Oh it's through
               CF GG
Oh it's through
               CF GG
Oh it's through
                      CThe (x32010@1)hardest part is through



The C F G G progression at the end also sounds okay as C F G Cbarre, but I like the
sound of C F G G on a solo guitar better. Whatever suits your fancy.
Thanks for reading!