This Tab was originally tabbed by timusus but it was a bit incomprehensible. What i have done is reformat the chords on top of the songs and change the chord names to the ones relative to the capo. Kudos to timusus for figurng out the chords. ~Capo 3~ The chord diagrams are relative to the capo, i.e. the capo is on 3, which will be 0. G (320003@1) G2 Bm (x24432@1) Cm* G (320003@1) Em (022000@1) D (xx0232@1) C (x32010@1) Am (x02210@1) 3 0 2 3 3 0 0 0 0 3 3 3 5 3 0 0 1 1 0 0 4 4 4 0 0 0 2 0 0 4 5 5 2 2 2 2 2 0 2 3 5 2 3 3 0 3 3 2 3 3 0 2 0 0 *Personally I think Cm* sounds fine as a Cm but its up to you The chord I refer to as (C up 2 frets) is just: 0 3 0 4 5 0 I couldn't find a name for it. Intro: G1 G2 G3 Verse: Palm Mute All Chords Bm (x24432@1) Cm* I could catch up to - to where you are G3 (x25xxx@7) Emsee (022000@1)if we can make it right Bm (x24432@1) Cm* if I thought meeting you somewhere in the dark G3 (x25xxx@7) Emwas (022000@1)gonna shed any new light Bm (x24432@1) Cm* Oh we'd sit around, we'd talk awhile G3 (x25xxx@7) EmMake (022000@1)polite excuses Bm (x24432@1) Cm* But the cat has my tounge, i'm not saying much G3 (x25xxx@7) Em'Cause (022000@1)i get shy around bullshit Brief Interlude: Let chords ring Bm - Cm* - G3 Verse: Palm mute again Bm (x24432@1) Cm* My new time piece is watching ice melt G3 (x25xxx@7) EmDown (022000@1)the bottom of my glass Bm (x24432@1) Cm* And i love to watch, when fuses burn G3 (x25xxx@7) EmDown (022000@1)towards their future plans Bm (x24432@1) Cm* gets me thinking bout - it's time to empty out G3 (x25xxx@7) Emthese (022000@1)pockets of their idle hands Bm (x24432@1) Cm* G (320003@1) DG and sing la da dadida da da, dada da C (x32010@1) Em (022000@1)GLock (320003@1)all the doors, pull the phone from the wall, run and hide C (x32010@1)Em (022000@1) C (x32010@1) (C up 2 frets) Oh I used to be such a nice guy Brief Interlude: Let chords ring Bm - Cm* - G3 Bm (x24432@1) Cm* Maybe clarity will creep up on me G3 (x25xxx@7) Em (022000@1) and reset my senses like a clock Gm (355333@1) Cm* and you'll convince me that your reality G3 (x25xxx@7) Emis (022000@1)better than the one that I've got Bm (x24432@1) Cm* you'll give me a second chance at my second chance G3 (x25xxx@7) Emand (022000@1)we will laugh about my near miss Bm (x24432@1) Cm* and the good lord will reward my ignorance G (320003@1) Dwith (xx0232@1)a little bliss C (x32010@1) C (x32010@1) CAnd (x32010@1)I'll see a welcome face in the mirror that I don't Em (022000@1) GRecogni-----ise (320003@1) C (x32010@1)Em (022000@1) C (x32010@1) (C shifted 2 frets up) Oh I used to be such a nice guy C (x32010@1) Cbut (x32010@1)now the details are vague, it's so strange, like a Em (022000@1) Gprevious (320003@1)li - i - i - ife C (x32010@1)Em (022000@1) C (x32010@1) (C shifted 2 frets up) Oh I used to be such anice (x02210@1)guy C (x32010@1) EmBut (022000@1)I don't know when to admit that I'm lost - C (x32010@1) Emwhen (022000@1)to stubbornly insist that I'm not Em (022000@1) (C shifted 2 frets up) Oh dear bless every thought in your thoughtful head Bm - Cm* - G3 Bm (x24432@1) Cm* Gla (320003@1)da dadida da da, dadada Bm (x24432@1) Cm* G (320003@1) Dla (xx0232@1)da dadida da da, dadada Bm (x24432@1) Cm* Gla (320003@1)da dadida da da, dadada Bm (x24432@1) Cm* G (320003@1) Dla (xx0232@1)da dadida da da, dadada, oh Bm (x24432@1) Cm* Gla (320003@1)da dadida da da, dadada