#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

THE ABYSS
As recorded by Sepultura
(From the 1987 Album SCHIZOPHRENIA)

Transcribed by Kim Mikal Torp
	

Music by Max Cavalera, Igor Cavalera, Andreas Kisser and Paulo Jr.

Gtr I (E A D G B E) - 'Untitled'

  Moderately bright Q=160
  N.C.
 4/4
  Gtr I
  EE  EE EE E (022100@1)E (022100@1) EE  EE EE Q    EE EE EE EE
|----------0--------|----------0------|-----------------|
|------------0------|------------0----|---------0-------|
|--------8-----8----|--------8-----8--|-------3---3-----|
|-----10---------10-|-----10----------|-----5-------5---|
|---9---------------|---9-------------|---4-----------4-|
|-7-----------------|-7---------------|-2---------------|


  EE EE EE EE   EE EE EE EE   EE EE EE EE
|---------0-------|-----------------|---------0-------|
|-----------0-----|---------0-------|-----------0-----|
|-------3-----3---|-------3---3-----|-------3-----3---|
|-----5---------5-|-----5-------5---|-----5---------0-|
|---4-------------|---4-----------4-|---4-------------|
|-2---------------|-2---------------|-2---------------|


  EE  EE EE E (022100@1)E (022100@1) EE  EE EE E (022100@1)E (022100@1) EE  EE EE E (022100@1)E|----------0--------|----------0--------|----------0--------| (022100@1)|------------0------|------------0------|------------0------|
|--------8-----8----|--------8-----8----|--------8-----8----|
|-----10---------10-|-----10---------10-|-----10---------10-|
|---9---------------|---9---------------|---9---------------|
|-7-----------------|-7-----------------|-7-----------------|


  EE  EE EE EE   EE EE EE EE   EE EE EE EE
|----------0-------|-----------------|---------0-------|
|------------0-----|---------0-------|-----------0-----|
|--------8-----8p0-|-------3---3-----|-------3-----3---|
|-----10-----------|-----5-------5---|-----5---------5-|
|---9--------------|---4-----------4-|---4-------------|
|-7--------------0-|-2---------------|-2---------------|


                                     2/4
  EE EE EE EE   EE EE EE EE   H
|-----------------|---------0-------|------|
|---------0-------|-----------0-----|------|
|-------3---3-----|-------3-----3---|------|
|-----5-------5---|-----5---------5-|------|
|---4-----------4-|---4-------------|-4----|
|-2---------------|-2---------------|------|


  Q.=102
 6/8
  E (022100@1)EE E (022100@1)EE   E (022100@1)EE E (022100@1)EE   E (022100@1)EE E (022100@1)Q    E (022100@1)EE E (022100@1)EE
|---------------|--------0------|-----------0--|---------------|
|-------------2-|-3--2------3-2-|-0--2-0----2--|-------------2-|
|------3-3--4---|------4--------|--------3-----|------3-3--4---|
|----5----------|---------------|-3------4-----|----5----------|
|-4------1------|-2------4------|--------------|-4------1------|
|-2-------------|---------------|--------------|-2-------------|
  Q.     Q.       Q.     Q.       Q.     Q.      Q.     Q.


  E (022100@1)EE E (022100@1)EE   E (022100@1)EE E (022100@1)EE   E (022100@1)EE E (022100@1)EE   E (022100@1)EE E (022100@1)EE
|--------0------|-2--0---0------|---------------|---------------|
|-3--2------3-2-|------3----3-2-|-3--2---2--0---|-0-----------0-|
|------4--------|---------------|------4------0-|----0-3----3---|
|---------------|-0-------------|---------------|--------4------|
|-2------4------|--------4------|-2------1------|---------------|
|---------------|---------------|---------------|-3------2------|
  Q.     Q.       Q.     Q.       Q.     Q.       Q.     Q.


  E (022100@1)EE Q.     E (022100@1) EE E (022100@1)EE    E (022100@1)EE E (022100@1) E (022100@1)E (022100@1)  E (022100@1) E (022100@1)EQ. (022100@1)|--------2----|----------------|------------------|----------------|
|-2-----------|--------------7-|-10--8-7----12-10-|----------------|
|----3--------|-------8-8--9---|------------------|-----12-11-9----|
|------4------|----10----------|------------------|----------------|
|-------------|-9-------6------|--7------9--------|-10-------------|
|-2-----------|-7--------------|------------------|----------------|
  H.            Q.      Q.        Q.     Q.          H.


  Slower Q.=56                                      Q=120
                  9/8                    6/8         4/4
  E (022100@1) e (022000@1)eQ (022000@1)  E (022100@1)  E (022100@1)EE  Q   EQ (022100@1)  E (022100@1) Q.   Q.     EE EE EE EE
|-0--------0---0-|----------------------|-----------|------------------|
|----12-10-8---7-|----------------------|-----------|------------------|
|----12-11-------|-^7--9-7-^6---7-4---3-|-----------|-----0-------0----|
|----------------|----------------------|-4----8----|-9-------9--------|
|----------------|-^9------^8-----------|-7----9----|---9---9---9---9--|
|-0--------9-----|----------------------|-----------|-7----------------|
  Q.       Q.       Q.      Q.    Q.      Q.   Q.     W


  EE EE EE EE   EE EE EE EE   W
|-----------------|-----------------|------*|
|-----------------|-----------------|------*|
|-----0-------0---|-----7-------6---|-4----*|
|-9-------9-------|-9-------8-------|-4----*|
|---9---9---9---9-|---9---9---9---9-|-5----*|
|-7---------------|-7-------6-------|-7----*|
  W                 H       H



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b (x24432@1) - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
n/  - tremolo bar dip; n = amount to dip
 n  - tremolo bar down
 n/  - tremolo bar up
/n  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths