Macdonnell on the Heights     4/4     Stan Rogers     From Fresh Water
Standard Tuning / No Capo / Travis Picking	Submitted by Ken Lee
Intro:     Two Bars of C(Cross (x32010@1)picking)		kandvlee@shaw.ca

        / C (x32010@1)                      /Am
Too / thin the line that / charged the Heights, and
F (133211@1)                        / CScrambled (x32010@1)in the / clay.
        / C (x32010@1)                     / AmToo (x02210@1)/ thin the Eastern / Township Scot
         / F (133211@1)                             / GWho (320003@1)/ showed them all the / way, and
         / C (x32010@1)                       / AmPer (x02210@1)- / haps had you not / fallen,
                  / F (133211@1)                           / AmYou (x02210@1)might / be what Brock be - / came,
             / C (x32010@1)            / F (133211@1)                                  / C (x32010@1)      / /
But not / one in ten / thousand knows your / name. / /

      / C (x32010@1)                              / AmTo (x02210@1)/ say the name, Mac - / donnell,
               / F (133211@1)                    / CIt (x32010@1)would / bring no bugle / call,
             / C (x32010@1)                                 / AmBut (x02210@1)the / Redcoats stayed be - / side you,
                   / F (133211@1)                        / GWhen (320003@1)they / saw the General / fall.
                    / C (x32010@1)                           / AmTwas (x02210@1)Mac- / donnell raised the / banner then, and
F (133211@1)                            / AmSet (x02210@1)the Heights a - / flame,
             / C (x32010@1)             / F (133211@1)                                / C (x32010@1)       / /
But not / one in ten / thousand knows your  /name. / /

Chorus:

        / G (320003@1)                            /
You / brought the field all / standing
                 / F (133211@1)                           / CWith (x32010@1)your / courage and your / luck,
             / C (x32010@1)                                 / AmBut (x02210@1)un- / known to most, you're / lying there
        / F (133211@1)                         / GBe (320003@1)- / side old General / Brock.
                       / C (x32010@1)               / AmSo (x02210@1)you know / what it is to / scale the Heights, and
F (133211@1)                       / AmFall (x02210@1)just short of / fame, and
                / C (x32010@1)             / F (133211@1)                               / C (x32010@1)      / /
Have not / one in ten / thousand know your / name. / /

Break: Chorus instrumental

     / C (x32010@1)                              / AmAt (x02210@1)/ Queenston now, the / General,
            / F (133211@1)                        / COn (x32010@1)his / tower stands a - / lone, and
              / C (x32010@1)                       / AmThere's (x02210@1)/ lichen on "Mac - / donnell,"
                     / F (133211@1)                           / GCarved (320003@1)up - / on that weathered / stone.
       / C (x32010@1)                  / AmIn (x02210@1)a / corner of the / monument,
     / F (133211@1)                      / AmTo (x02210@1)/ glory you could / claim,
             / C (x32010@1)             / F (133211@1)                                / CBut (x32010@1)not / one in ten / thousand knows your / name.

        / G (320003@1)                            /
You / brought the field all / standing,
                 / F (133211@1)                         / CWith (x32010@1)your / courage and your / luck,
             / C (x32010@1)                                / AmBut (x02210@1)un- / known to most, you're / lying there,
        / F (133211@1)                       / GBe (320003@1)- / side old General / Brock.
                      / C (x32010@1)               / AmSo (x02210@1)you know / what it is to / scale the Heights, and
F (133211@1)                       / AmFall (x02210@1)just short of / fame, and
               / C (x32010@1)             / F (133211@1)                                / C (x32010@1)      / /
Have not / one in ten / thousand know your / name. / /

Repeat Chorus:, then last three lines instrumental