I've been having a little problem recently Bb (x1333x@1) A (x02220@1) DmWhich (xx0231@1)is quite disturbing musically Bb (x1333x@1) A (x02220@1) DmInvolving (xx0231@1)a semi-tonal discrepancy Bb (x1333x@1) A (x02220@1) DmVocally (xx0231@1)and Instrumentally Gm (355333@1) A (x02220@1)You see musicians of different varieties Bb (x1333x@1) A (x02220@1) DmPrefer (xx0231@1)playing in particular keys Bb (x1333x@1) A (x02220@1) DmAnd (xx0231@1)singers too treat preferentially Bb (x1333x@1) A (x02220@1) DmThose (xx0231@1)notes they tackle more proficiently Gm (355333@1) A (x02220@1)Now, you, don't have to be a member of MENSA Bb (x1333x@1) A (x02220@1) DmTo (xx0231@1)understand the depth of my dilemma Gm (355333@1) AThe (x02220@1)two elements of me favour two different keys Bb (x1333x@1) DmGm DmThus (xx0231@1)the rift between my fingers and my Tenor I love nothing more than playing songs in F Bb (x1333x@1) FIt (133211@1)warms the very cockles of my heart Gm (355333@1) AThe (x02220@1)problem is that F can leave me vocally bereft, you see Bb (x1333x@1) FI (133211@1)like playing in F Major, but I like singing in... E7 (020130@1) A7 (x02020@1) F Sharp.... F Sharp.... F Sharp... Dm (xx0231@1) Dm (xx0231@1) Dm (xx0231@1)I refuse to be beholden to my hands Bb (x1333x@1) FI (133211@1)don't see why my Larynx should give in to their demand Gm (355333@1) AI (x02220@1)will not be forced to compromise my art Bb (x1333x@1) FSo (133211@1)I'll keep playing in F Major, and singing in... E7 (020130@1) A7 (x02020@1)F Sharp... F Sharp... F Sharp... Dm (xx0231@1) Dm (xx0231@1) Dm (xx0231@1)I'll keep playing in F Major, but I'll keep singing in F Sharp!!!! Gm (355333@1) C7 (x32310@1) F (133211@1)