Burial on the Presidio Banks

From the Album "This Will Destroy You"
Copyright 2008 - Magic Bullet Records

Music by:
Jeremy Galindo
Chris King
Donovan Jones
Andrew Miller

Note: Here is Jeremy's part to Burial. I couldn't be bothered to tab out 
Chris' part, as I do not have an ebow. I may add to this in the future, or
if anybody else wants to tab it, feel free to do so and I will add it here 
myself and give you credit.

Any questions, comments, etc, feel free to drop me an e-mail at:
catastrophe.and.the.cure AT live DOT com

replace the "AT" and "DOT" with the appropriate symbols :)

More post-rock tabs on the way, so stay tuned!



BURIAL ON THE PRESIDIO BANKS
Tuning (low to high): C# G# C# F# A# d#


Jeremy

	(0:00)

|------------------------------------|
|------------------------------------|
|----7--------2--------3--------2----|
|------------------------------------|
|------------------------------------|
|----8--------3--------5--------3----|


|-------------------------------------|
|-------------------------------------|
|----7----8----2--------3--------2----|
|-------------------------------------|
|-------------------------------------|
|----8---------3--------5--------3----|



	(0:38)

|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|----8--------5--------3-----------------1--------3----|
|-------------------------------3----------------------|


					  (1:45)
|----------------------------------------|---------|
|----------------------------------------|---------|
|---------------------------------------.|---------|
|---------------------------------------.|---------|
|----8--------5--------8--------3--------|----1----|
|----------------------------------------|---------|


-drum fill-


Note: notes on low E are optional here, really. They are played on the 
recording, however you may find it sounds better if you don't play them. 
Give it a try and see what you like best.
	
	
	(1:54)

|--------------------------------------------------|
|---------3---------3------------------------------|
|--------------3--------3----2h3---------2---------|
|----------------------------3------0----3----3----|
|----1-----------------------------------0---------|
|----------------------------------------0---------|


|-----------------------------------------------------------|
|-----------------------------------------------------------|
|----0---------2--------------3--------------2--------------|
|----1---------3---------0----5--------------3---------0----|
|----1----1----3----3---------5----5----5----3----3---------|
|----1---------3--------------5--------------3--------------|



|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----0---------2-------------0h2----3--------------2-------------------|
|----1---------3--------0-----------5--------------3---------0---------|
|----1----1----3----3---------------5----5----5----3----3---------3----|
|----1---------3--------------------5--------------3-------------------|

	
	
	(3:18)
	
|------------------------------------|
|------------------------------------|
|----3--------2-----------------0----|
|----------------------3-------------|  x3
|------------------------------------|
|----5--------3--------0--------1----|



|------------------------------------|
|------------------------------------|
|----3--------2--------7--------0----|
|------------------------------------|  x1
|------------------------------------|
|----5--------3--------8--------1----|



	(3:51)
	(repeat until 5:10, 
         gradually increase in volume and intensity)

|------------------------------------|
|------------------------------------|
|----3--------2--------2--------0----|
|----5--------3--------3--------1----|
|----5--------3--------0--------1----|
|----5--------3--------0--------1----|




	(at 5:10, add this fill after every repeat of the above
	 until 5:40) 


|-----------------------------------|
|----3--------4-----------3---------|
|---------0--------2h3---------3----|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|


	(5:50)

|------------------------------------|
|------------------------------------|
|----3--------2--------2--------0----|
|----5--------3--------3--------1----|
|----5--------3--------0--------1----|
|----5--------3--------0--------1----|


|-------------------------------------|
|-------------------------------------|
|----3--------2--------7--------8-----|
|----5--------3--------8--------10----|
|----5--------3--------8--------10----|
|----5--------3--------8--------10----|



|-------------------------------------|
|-------------------------------------|
|----8---------7--------3--------2----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|


|-------------------------------------|
|-------------------------------------|
|----8---------7--------3--------2----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|
|----10--------8--------5--------3----|



(Strum last chord; build and lead into 6:26)



(6:26)

    Distortion on!
    Very simple here, just play it as loud as possible.
    Each "chord" is played 8 times


|----------------------------------------------|
|----------------------------------------------|
|----8-----7----3----2----8-----7----0----2---.|
|----10----8----5----3----10----8----1----3---.|
|----10----8----5----3----10----8----1----0----|
|----10----8----5----3----10----8----1----x----|


(7:32)

Let ring and fade into feedback

|----------|
|----------|
|----8-----|
|----10----|
|----10----|
|----10----|



END