Artist - Chimaira Album - Resurrection Track - 6 Song - Killing The Beast Tuning - Drop C CGCFAD Tabbed By - soilborn This is just the main riffs of the song. I haven't tabbed any of the background stuff with all the effects. D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3-------------------------------------| G|--3-------------------------------------| C|--3-------------------------------------|x2 D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3-3-3-3---3-3-3---3-3---3-------------| G|--3-3-3-3---3-3-3---3-3---3-------------| C|--3-3-3-3---3-3-3---3-3---3-------------|x8 PM . . . . . . . . . . D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3--------4------5--6------------------| G|--3--------4------5--6------------------| C|--3--------4------5--6------------------|x2 D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3---3----4------5--6------------------| G|--3--------4------5--6------------------| C|--3--------4------5--6------------------| D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3--------4------5--6------------------| G|--3---3----4------5--6------------------| C|--3--------4------5--6------------------| D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3-3-3-3---3-3-3---3-3---3-------------| G|--3-3-3-3---3-3-3---3-3---3-------------| C|--3-3-3-3---3-3-3---3-3---3-------------|x8 PM . . . . . . . . . . D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3--------4------5--6------------------| G|--3--------4------5--6------------------| C|--3--------4------5--6------------------|x2 D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3---3----4------5--6------------------| G|--3--------4------5--6------------------| C|--3--------4------5--6------------------| D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--3--------4------5--6------------------| G|--3---3----4------5--6------------------| C|--3--------4------5--6------------------| D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--0-0-0-0-0---0-0-0---0-0-0-------------| G|--0-0-0-0-0---0-0-0---0-0-0-------------| C|--0-0-0-0-0---0-0-0---0-0-0-------------|x7 PM . . . . . . . . . . . D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--0-0-0-0-0---0-0-0---0-----------------| G|--0-0-0-0-0---0-0-0---0-----------------| C|--0-0-0-0-0---0-0-0---0-----------------| PM . . . . . . . . . D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--0--------1--3--4--3-------------------| G|--0--------1--3--4--3-------------------| C|--0--------1--3--4--3-------------------|x8 The last chord is palm muted on the 4th & 8th time. D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--0-------------------------------------| G|--0-------------------------------------| C|--0-------------------------------------|x2 D|----------------------------------------| A|----------------------------------------| F|----------------------------------------| C|--0-0-0-0-0---0-0-0---0-0-0-------------| G|--0-0-0-0-0---0-0-0---0-0-0-------------| C|--0-0-0-0-0---0-0-0---0-0-0-------------|x32 PM . . . . . . . . . . . Fades into extreme distortion