I don't think this is the correct way to play this song, but it sounds similar enough. Intro: G C G Am Why do you speak with that accent now? F C Everyone knows you're not from the streets. G Am You went to prep school in Cambridge, F C With daughters and sons of the privileged elite. G Am Their fortunes from shipping and industry, F C Their futures in yacht clubs and tails. G Am So why do you speak with that accent now? F Am Everyone knows you're moonlighting here. F To avail yourself of your heritage, C For a season or two in the sun. G Draw well from the funds in the trust, Am Thanks to the fathers of fortunate sons, F For us it's a matter of charging the gates C G For you it's a matter of blood and connections C G C Of blood and connections. G Am So who do you fool with that costume now? F C Everyone knows you're not who you seem G Am You've got a hard way about you F Am For someone whose passage is already paid F By the sins and the schemes of your father C And the infinite reach of his arm G Draw well from the funds in the trust, Am Thanks to the fathers of fortunate sons, F For us it's a matter of charging the gates C For you it's a matter of blood G Drink well from your bottomless cup Am And bask in your good fortune F For us it's a matter of charging the gates G Am For you it's a matter of blood and connections C So where will you be when you tire of the fun F The escape, the charade, and your time in the sun C I know everyone does their own reinvention G Am But yours has a taste that's hard to swallow C And what will you tell of your tenure with us? F Will you build yourself up, like the size of your hunt? C If they're anything like what you've been telling us, G Those stories will make true believers C Of the chumps and the fools. G Am So why do you speak with that accent now? F C Everyone knows you're not from the streets.