Motorhead by Ian Kilmister Eddie Clarke Phil Taylor performed by Motorhead from the albums: No Remorse, Best Of Motorhead, No sleep Til Hammersmith One of the definitive Motorhead tunes by Lemmy and the boiz- was shocked it wasn't already in the data base! Tuning: Standard (on the album) (Eb if you want to play along with the live version) (These are power chords so actually D5 Eb5 E5 F#5 and G5) D X Eb X E X F# X G X X X X X X 7 8 9 11 12 7 8 9 11 12 5 6 7 9 10 X X X X X Note that Lemmy's bass follows the root note for all the chords but he does a little riff on the F# (sorry but you bass players will have to suss that out- it's based on the A string between the 10th and tweflth frets but I haven't quite gotten it sufficently to put down what I definitively think it is) Intro: E/////////D//Eb// Verse: E D/E Sunrise, wrong side of another day E D/E Sky high, six thousand miles away E D/E Don't know how long I been awake E Wound up in an amazin' state (prechorus): G D And I can't enough G D And you know it's righteous stuff G F# goes up like prices at Christmas Chorus: G D Motorhead, remember me G F# Motorhead, all right! E////////D//Eb// Verse: E D/E Brained out, total amnesia E D/E Get some mental anaesthesia E D/E Don't move I'll shut the door an kill the lights E If I can be wrong I must be right (prechorus) G D All good clean fun G D Have another stick of gum G F# Man you look better already! Chorus: G D Motorhead, remember me G F# I'm Motorhead, Alright! Solo break (built around the verse/prechorus/chorus pattern) E/////////D//Eb// E D/E fourth day five day marathon E D/E We're moving like a parallelogram E D/E Don't move the morning's not a pretty sight E I guess I'll see you all on the ice (prechorus) G D I should be tired G D But you know I'm fucking wired G F# ain't felt this good for an hour Chorus: G D Motorhead, remember me G F# I'm Motorhead, alright! the band continues to echo the "Motorhead" chorus for an outro adlibbing "yeah yeah yeahs" etc to the final chainsaw guitar F# chord with all the glorious feedback and bomber take off sound effects . . .