#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
JUST THE SAME
based of Phil Keaggy's performance at Wheaton College.



Acoustic Gtr (D A D G B E) or 1 half-step down from that

main riff                           A   G   F   D           repeat

|-5-------5-------------------------5---3-----------2-------------|
|-5h7p5---5h7p5---------------------5---3-----------3-------------|
|-------7-------7-7---------7-------5---4-----------2-------------|
|-----------------7h9p7-7---7-------5---5---3---0---0-------------|
|-----------------------7h9---9p7s5-7---5---3---0-----------0-2-5-|
|-----------------------------------7---5---3---0-------3-4-------|

alternate ending riff

|---------------------------------|
|---------------------------------|
|-----------------0h2p0---0-------|
|-----------0-3-4-------3-------0-|
|-----0-2-3-----------------3s5---|
|-3-4-----------------------------|

verse. 
I included an example of a hammer on that might take place in the first chord. 

|-5---5-5---3-----------2---|---------------------2-|
|-5---5-5---3-----------3---|-----1---3-----------3-|
|-5---5-5---4-----------2---|-----0---0---3---5---2-|
|-5---5-5---x---3---0---0---|-----2---0---3---5---0-|
|-7---5h7---5---3---0-------|-0h2-3---2---1---3-----|
|-7---5h7---5---3---0-------|-----------------------|


|-5---4---3---2-------------------2-------------|-5-------5-------------------------|
|-6---5---4---3---1---3-----------3-------------|-5h7p5---5h7p5---------------------|
|-5---4---3---2---0---0---3---5---2-------------|-------7-------7-7---------7-------|
|-0---0---0---0---2---0---3---5---0-------------|-----------------7h9p7-7---7-------|
|-----------------3---2---1---3-----------0-2-5-|-----------------------7h9---9p7s5-|
|-------------------------------------3-4-------|-----------------------------------|

Chorus

|-0---3-----------2-----------5-------5--------------------------|
|-1---3-----------3-----------5h7p5---5h7p5----------------------|
|-2---4-----------2-----------------7-------7-7---------7--------|
|-2---x---3---0---0---------------------------7h9p7-7---7--------|
|-0---5---3---0---------0-2-5-----------------------7h9---9p7s5--|
|-----5---3---0-----3-4------------------------------------------|


Phil uses an odd technique for this chord progression. 
He uses his index finger to hit the C in the first chord, then the usual fingering for D7
after that, the G is brought out by using his pinky on the fifth fret.



|-------------------0----|
|-3-3---3---3-3-----1----|
|-5-5---0---5-5-----0----|
|-3h4---5---3h4-----2----|
|-5-5---5---5-5-----0----|
|------------------------|

Any other solos or riffs are improvised in D minor


Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site