#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# CIRCLES (Bassline) As recorded by Pain Of Salvation (From the 1997 Album ENTROPIA) Transcribed by Luca Abete Music by D.Gildenlow Gtr I (B E A D G B) - 'Bass' Bass Q=175 4/4 Gtr I T T T T E E E E E E E E E E E E E E E E ||--------------------------|-------------------------| ||o-------------------------|-------------------------| ||--------------------------|-------------------------| ||--------h8-12-------h8-12-|-------h7-10-------h7-10-| ||o----h5----------h5-------|----h5----------h5-------| ||--h3----------h3----------|-h3----------h3----------| T T T T T T E E E E E E E E E E E E E E E E E E E E E E E E |-----------------------|-----------------------|-------------------------| |-----------------------|-----------------------|-------------------------| |-----------------------|-------h5-8-------h5-8-|-------------------------| |-------h5-8-------h5-8-|-----------------------|-------h8-12-------h8-12-| |----h5---------h5------|----h5---------h5------|----h5----------h5-------| |-h3---------h3---------|-h3---------h3---------|-h3----------h3----------| 1. T T T T T T E E E E E E E E E E E E E E E E E E E E E E E E |-------------------------|-----------------------|----------------------|| |-------------------------|-----------------------|---------------------o|| |-------------------------|-----------------------|----------------------|| |-------h7-10-------h7-10-|-------h5-8-------h5-8-|----------------------|| |----h5----------h5-------|----h5---------h5------|----5h6-12----5h6-12-o|| |-h3----------h3----------|-h3---------h3---------|-h3--------h3---------|| 2Q=170 H.=H Q=105 H=H 2/4 T T T E E E E E E E E E E E E E E E E +H |-----------------------|---------------------|---------| |-----------------------|---------------------|---------| |-----------------------|---------------------|---------| |-------h5-8-------h5-8-|---------------------|---------| |----h5---------h5------|----5h6-12----5h6-12-|-(12)----| |-h3---------h3---------|-h3--------h3--------|---------| Guitar Arpeggio 0:24 Q=136 7/8 6/8 7/8 6/8 Wx5 H. H.. H. |-----------|---------|-----------|-------| |-----------|---------|-----------|-------| |-----------|---------|-----------|-------| |-----------|---------|-----------|-------| |-----------|---------|-----------|-------| |-----------|---------|-----------|-------| H.=H Q=90 H=H Q=120 H.=H Q=60 7/8 5/4 4/4 2/4 Wx5 H Q. Q. H E Q. W H |-----------|----------------|-------------||----------|------*| |-----------|----------------|-------------||----------|------*| |-----------|----------------|-------------||----------|------*| |-----------|----------------|-------------||----------|------*| |-----------|----------------|-------------||----------|------*| |-----------|----------------|-------------||----------|------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths