L7 - Must Have More From Album 'The Beauty Process: Triple Platinum' (1997) Tabbed By Hayden (haydeN64) 7/11/12 Drop D tuning. Key: PM ^ = The notes above the arrows are Palm Muted \ = Slide down / = Slide up h = Hammer on p = Pull off ~ = Ring Intro: e|--------------------------| B|--------------------------| G|--------------------------| D|--------------------------| A|--------------------------| D|-9h10p9\7--0--3--3--3--0--| PM|^--^--^| Verse: e|--------------------------| B|--------------------------| G|--------------------------| D|-9h10p9\7--0--3--3--3--0--| A|-9h10p9\7--0--3--3--3--0--| D|-9h10p9\7--0--3--3--3--0--| PM|^--^--^| Chorus: e|---------------------------------------| B|---------------------------------------| G|---------------------------------------| D|-9--9~\3--3--3--3p0--9--9~\3--3--3--3~-| A|-9--9~\3--3--3--3p0--9--9~\3--3--3--3~-| D|-9--9~\3--3--3--3p0--9--9~\3--3--3--3~-| Bridge: e|------------------------------------------------| B|------------------------------------------------| G|------------------------------------------------| D|-0--0--0--0--1--1--1--1--2--2--2--2--3--3--3--3-| A|-0--0--0--0--1--1--1--1--2--2--2--2--3--3--3--3-| D|-0--0--0--0--1--1--1--1--2--2--2--2--3--3--3--3-| Breakdown: (Guitar One) e|----------------------------------------------------| B|----------------------------------------------------| G|----------------------------------------------------| D|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| A|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| D|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| e|----------------------------------------------------------------------|------------------------| B|----------------------------------------------------------------------|------------------------| G|-----------------------------------------10-10-10-9--------10-10-10\9-|------------------------| D|-9--12--9--12--3--3--2--3--9--12--9--12--10-10-10-9--9--9--10-10-10\9-|-1--1--1--1--2--2--2--2-| A|-9--12--9--12--3--3--2--3--9--12--9--12--8--8--8--7--9--9--8--8--8-\7-|-1--1--1--1--2--2--2--2-| D|-9--12--9--12--3--3--2--3--9--12--9--12--------------9--9-------------|-1--1--1--1--2--2--2--2-| Breakdown: (Guitar Two: Whammy feedback solo) e|---------------------------------------------------------~~-----------------| B|-16~~12~~6/12---16~~12~~6/12---3~4/~~climbing-notes~~16----Feedback---------| G|----------------------------------------------------------------------------| D|----------------------------------------------------------------------------| A|----------------------------------------------------------------------------| D|----------------------------------------------------------------------------| Ending Breakdown: (Guitar One) e|----------------------------------------------------| B|----------------------------------------------------| G|----------------------------------------------------| D|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| A|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| D|-9--12--9--12--3--3--2--3--9--12--9--12--3--3--3--0-| Ending Breakdown: (Guitar Two) e|-----------------------5--------|----| B|-----------------6--8-----8--6--|----| G|--4--4--4--4--4-----------------|-4~-| D|--------------------------------|----| A|--------------------------------|----| D|--------------------------------|----| |-End| Order: Intro X 4 Verse x 6 Chorus x 4 Verse x 6 Bridge Breakdown Verse x 4 Chorus x 4 Ending Breakdown The Second Guitar in Breakdown one plays until the | near the end. The Second Guitar for the Ending Breakdown comes in after about 5 bars. ---------------------------------------------------------------------------------------------* Notes: Another awesome L7 song. If there's one part i'm not completely sure of, it's the feedback solo during The first breakdown, though if you intend to play it alone that's not necessary to learn. on live shows they just kinda improvised a bunch of grungy distorted sounds with the rough idea down, and the rough idea is definitely here too. During the Final breakdown, there's a layer of guitar going from low D|9 to D|3 power chords but that's really just something to note, there's not alot you can do about that unless you have an orchestra of guitarists, However if you have 2 guitarists, the second one can play it for about 5 bars then change to the 'Guitar two'. I tabbed it out on an acoustic guitar which limits access to whammy effects, Feedback aswell as higher end frets due to lack of space, so where it goes 8 on the A string, it can also be played 15 on the D which is probably more ideal. If there's something incorrect, just let me know and i will alter the tab accordingly Thanks and Have fun.