#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

THE SPOKEN AND THE UNSPOKEN (Bassline)
As recorded by Andy Timmons
(From the 1999 Album THE SPOKEN AND THE UNSPOKEN)

Transcribed by ngen
	

Words and Music by Andy Timmons

Gtr I (E A D G) - 'Bass'

  Q=54
 4/4
  Gtr I
  Wx16          Q.   S S S S Q.     Q.   S S S S Q.
|-------------|-------------------|-------------------|
|-------------|-------------------|-------------------|
|-------------|-------------------|-------------------|
|-------------|-5------0-5---5----|-1------0-1---1----|


  Q.   S S S S Q.     Q.   S S S S Q.
|-------------------|--------------------|
|-------------------|--------------------|
|-------------------|--------------------|
|-5------0-5---5----|-1------0-1---1-----|


  W          Q.   S S S S Q.     Q.   S S S S Q.     H    H
|----------|-------------------|-------------------|-----------|
|----------|-------------------|-0--------0---0----|-----------|
|----------|-------------------|--------0----------|-----------|
|-1--------|-6------0-6---6----|-------------------|-6----8----|


  H    H      H    H      H    Q  S S S S   E E +H     Q
|-----------|-----------|-----------------|---------------|
|-----------|-----------|-----------------|---------------|
|-----------|-4----1----|-3---------------|---------------|
|-6----3----|-----------|-----------3---3-|---4-(4)----1--|


  H    H      H    H      W          W          Q  H.        H    H      W
|-----------|-----------|----------|----------|------------|-----------|------|
|-----------|-----------|----------|----------|------------|-----------|------|
|-----------|-4----1----|-3--------|----------|----0-------|------1----|-3----|
|-6----3----|-----------|----------|-1--------|-1----------|-4---------|------|


  Q.   S S S S Q.     Q.   S S S S Q.
|-------------------|-------------------|
|-------------------|-------------------|
|-------------------|-------------------|
|-5------0-5---5----|-1------0-1---1----|


  Q.   S S S S Q.     Q.   S S S S Q.
|-------------------|--------------------|
|-------------------|--------------------|
|-------------------|--------------------|
|-5------0-5---5----|-1------0-1---1-----|


  Q.   S S S S Q.     H    H      Q.   S S S S Q.     H    H
|-------------------|-----------|-------------------|-----------|
|-0--------0---0----|-----------|-0--------0---0----|-----------|
|--------0----------|-1----1----|--------0----------|-1----4----|
|-------------------|-----------|-------------------|-----------|


  H    H      H    H      H    Q  S S S S   E Q.   H
|-----------|-----------|-----------------|-------------|
|-3----0----|-6----3----|-5---------------|-------------|
|-----------|-----------|-----------5---5-|---6----3----|
|-----------|-----------|-----------------|-------------|


                                             E=60
  H    H      H    H      W          H.      +Q     H    H
|-----------|-----------|----------|--------------|-----------|
|-3----0----|-6----3----|-5--------|--------------|-----------|
|-----------|-----------|----------|-3-------(3)--|-----------|
|-----------|-----------|----------|--------------|-4----6----|


  W          +W           +W
|----------|------------|--------*|
|----------|------------|--------*|
|-3--------|-(3)--------|-(3)----*|
|----------|------------|--------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths