#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id ; Thu, 18 Nov 1993 04:45:37 -0800 Received: from mailgate.ericsson.se by animal-farm.nevada.edu id ; Thu, 18 Nov 1993 04:45:30 -0800 Received: from etlxd20 (etlxd20.ericsson.se) by mailgate.ericsson.se (4.1/SMI-4.1-MAILGATE1.14) id AA18336; Thu, 18 Nov 93 13:45:23 +0100 Received: from etlxd42k (etlxd42k.ericsson.se) by etlxd20 (4.1/SMI-4.1-LME1.6) id AA00406; Thu, 18 Nov 93 12:45:22 GMT From: etlnbb@etlxd20.ericsson.se ( neil bergin xd/gk) Received: by etlxd42k (4.1/client-1.3) id AA02276; Thu, 18 Nov 93 12:45:22 GMT Date: Thu, 18 Nov 93 12:45:22 GMT Message-Id: To: jamesb@animal-farm.nevada.edu Subject: TAB: Cathedral - Van Halen Posted by: evh5150@camelot.bradley.edu (Andrew Eckhart) To: alt.guitar.tab Date: 23 Oct 1993 18:20:57 -0500 I pulled this off of here last year: Here follows the tablature to Cathedral, from the Diver Down album. The piece is played entirely using the left hand to hammer notes, with the right hand controlling the volume knob to make the notes fade in, giving them a cello-like sound. Essential to the piece is the use of a digital-delay unit. Technique and Timing: --------------------- Right-hand - turn the volume up after the left-hand has hammered the note, so there is no 'attack', and the note just 'swells' in volume. IT takes a fair amount of practice to get it right. Left-hand - apart from the chords at the beginning, which can be strummed with the RH before fading them in, every note in this piece is hammered-on. Delay unit - try around .42 - .44 seconds. Hopefully the following will explain how get your timing right with the delay... If you play the following notes - G B D B G Have the delay repeat the notes like - G B D B G So the net result would be: G B G D B B D G B G timing ----- | | | | | | | | | | | | Actually, if you play the above with a fairly fast delay, you get a cool Albert Lee countryish-lick :-) BTW, it helps to tie a sock just over the nut, to help prevent un-wanted string-buzz :-) Please excuse any mistakes - I no longer have my ME-5, which means no delay :-( CATHEDRAL - Edward Van Halen ---------------------------- C F Em C B [ Part 1 E -0--1--0--0------0--3--0--0----------------------------------------------- B -1--1--0--1------1--1--0--1---------4---------8----------12------------16- G -0--2--0--0--4---0--2--0--0--4-----4-4-------8-8--------12-12---------16-- D -2--3--2--2--4---2--3--2--2--4----4---4-----8---8------12---12-------16--- A -3-----2--3--2---3-----2--3--2---2-----2-4-6-----6-8-10-------10-12-14---- E -------------------------------------------------------------------------- ] || E ---------------------------------------------------------------------- B ------------12-------7------10-------5-------------------------------- G 16---------12-12----7-7----10-10----5-5----7--4----------------------- D -16-------12---12--7---7--10---10--5---5--------5-3-5-3--------------- A --14-12-10--------5------8--------3-----3---------------5-3-2--------- E ---------------------------------------------------------------------- Then, repeat Part 1 (the section within the []s) followed by... E ----------------------------------------------------------------------- B ----17-------19-------21--21--21--21----------------------------------- G ---17-17----19-19----21--21--21--21------------------------------------ D --17---17--19---19--21--21--21--21------------------------------------- A -15------17-------19---------------19-21-17-19-15-17-14-15-12-14-10-12- E ----------------------------------------------------------------------- [ Part 2 (repeat a few x) ] E ---------------------+-----------------------------+---------------------- B ---------------------|-----------------------------|---------------------- G ---------------------|-------------7---------------|---------------------- D ---------------------|---------------7-5-4---------|---------------------- A 9-10-7-9-5-7-3-5-2-3-|-------5-7-5---------5-7-5-7-|-5-7-5-7-5-7-5-7-7~~-- E ---------------------+-3-2-3-----------------------+---------------------- -- evh5150@camelot.bradley.edu What is understood need not be discussed. - Loren Adams