Tom: E Intro (2x): C#m G#m A7M B E G#m C#m Don't tell me you don't know what love is when you're old enough to G#m C#m F#m know better. When you find strange hands in your sweater, when G#m C# F#m your dreamboat turns out to be a footnote, I'm a man with a G#m B mission in two or three editions, and? (chorus) E G#m A B E G#m I'm giving you a long look ev'ryday, ev'ryday, A B E G#m A B ev'ryday, ev'ryday I write the book. 1) C#m E Chapter one, we didn't really get along, Chapter two, I think I G#m E A B C#m fell in love with you. you said you'd stand by me in the F#m middle of Chapter three, but you were up to your old tricks in Chapters G#m B four, five, and six, and? (chorus) E G#m A B E G#m I'm giving you a long look ev'ryday, ev'ryday, A B E G#m A B ev'ryday, ev'ryday I write the book. 2) C#m E The way you walk, the way you talk and try to kiss me and laugh in four G#m E A B C#m or five paragraphs. All your compliments and your F#m G#m B cutting remarks are captured here in my quotation marks, and? (chorus) E G#m A B E G#m I'm giving you a long look ev'ryday, ev'ryday, A B E G#m A B ev'ryday, ev'ryday I write the book. E G#m C#m Don't tell me you don't know the diff'rence, between a lover and a G#m C#m F#m G#m fighter. With my pen and my electric typewriter, even in a C# F#m perfect world where ev'ryone was equal, I'd still own the film rights G#m B and be working on the sequel. E G#m A B E G#m I'm giving you a long look ev'ryday, ev'ryday, A B C#m ev'ryday, ev'ryday I write the book. G#m A B E G#m A B E G#m A B Ev'ryday, ev'ryday, ev'ryday, ev'ryday I write the book. (repeat to fade)