D Standard tuning (D G C F A D) Intro: |-------------------------------------------------------------------------------| |-------------------------------------------------------------------------------| |-------------------------------------9--99--8-888-8-8-8------------------------| |------------5--555----s-9---9-9-9----9--99--9-999-9-9-9--9-10-9-7--------------| x 7 |--7--777----7--777----s10--101010---10----------------------------10-9---------| |--0--000-----------------------------------------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| x 4 |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |--2-2-2-3-3-3--3-3-3-4-4-4-4-4-4-5-5-5-5-5-5-6-6-6----------------------------------| |--0-0-0-0-0-0--1-1-1-1-1-1-2-2-2-2-2-2-3-3-3-3-3-3----------------------------------| Then back to intro riff, vocals come in Verse: |-------------------------------------------------------------------------------| |-------------------------------------------------------------------------------| |-------------------------------------9--99--8-888-8-8-8------------------------| x 4 |------------5--555----s-9---9-9-9----9--99--9-999-9-9-9--9-10-9-7--------------| |--7--777----7--777----s10--101010---10----------------------------10-9---------| |--0--000-----------------------------------------------------------------------| "Licentious damsels ingesting semen juice, The prince of life by these lustful means"...etc |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| x 4 |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |--2-2-2-3-3-3--3-3-3-4-4-4-4-4-4-5-5-5-5-5-5-6-6-6----------------------------------| |--0-0-0-0-0-0--1-1-1-1-1-1-2-2-2-2-2-2-3-3-3-3-3-3----------------------------------| "Only for the tetrach to taketh away, The hope of diseased folk who followed" ...etc |-------| |-------| |-------| *at the end of the fourth measure of the above riff |-------| |-2b3b2-| |-0-----| Chorus - First Riff: |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| x 2 |-777777-4444444444-666666-5555555555-777777-5555555555-7777777-4444444444-----------| |-555555-2222222222-444444-3333333333-555555-3333333333-5555555-2222222222-----------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| Chorus - Second Riff |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |---------------------------------------------------------------------------| |-555555-2222222222-444444-3333333333-555555-3333333333-555555-2222222222---| x 4 |-333333-0000000000-222222-1111111111-333333-1111111111-333333-0000000000---| "Lamb of god, slain will be"...etc Second Verse |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 16 |-----------------------------333--------------| |-3-333-7-333-77--222-333-555-555--------------| |-5-555-5-555-55--444-444-444-444--------------| "Beneath the wise star suffered the accused, Myrrh and vinegar sprinkled on his hippie lips"...etc |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| x 2 |-222222222221321322222---55555555-4-2---44445-22222222222---------------------| |-000000000000000000000---33333333-2-0---22223-00000000000-2-3-3---------------| |--------------------------------------4-------------------0-1-1---------------| "The enigmas of his birth, Told by traveling shepherds"...etc |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 8 |-----------------------------333--------------| |-3-333-7-333-77--222-333-555-555--------------| |-5-555-5-555-55--444-444-444-444--------------| "Bitches cometh to anoint the bruised residue, Exequies outlawed by the pagan centurions"...etc |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| |------------------------------------------------------------------------------| x 2 |-222222222221321322222---55555555-4-2---44445-22222222222---------------------| |-000000000000000000000---33333333-2-0---22223-00000000000-2-3-3---------------| |--------------------------------------4-------------------0-1-1---------------| "The priest is driven to confession, He admits to an act of bestiality"...etc |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 12 |-----------------------------333--------------| |-3-333-7-333-77--222-333-555-555--------------| |-5-555-5-555-55--444-444-444-444--------------| Outro (this whole section is repeated twice): |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 6 |----------------------------------------------| |-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------| |-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------| "He bled the blackest blood, For he was already deceased"... |----------------------------------------------| |-10--10s-6-6--5-5-----------------------------| |---9------5----5--7--7-5----------------------| |-------------------9-----7-7------------------| x 1 |---------------------------7--7-7-7-5---5-----| |------------------------------8-8-----7-------| "He bled the blackest blood, For he was already deceased"... |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 5 |-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------| |-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------| "He bled the blackest blood, For he was already deceased"... |----------------------------------------------| |-10--10s-6-6--5-5-----------------------------| |---9------5----5--7--7-5----------------------| |-------------------9-----7-7------------------| x 1 |---------------------------7--7-7-7-5---5-----| |------------------------------8-8-----7-------| "He bled the blackest blood, For he was already deceased"... |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| x 5 |-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------| |-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------| "Lamb of God, slain will be"... Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting / - tremolo bar dip; n = amount to dip - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash