There's not much to this. The sliding C# to D pattern is repeated frequently between verses; the verses are built around D. / = slide up Intro and between verses: C# D E--1/2-2---1/2-2-2-----------| B--2/3-3---2/3-3-3-etc.------| G--1/2-2---1/2-2-2-----------| D----------------------------| A----------------------------| E----------------------------| Verses: (Vary the pattern a bit on these) D C7M E--2---------------2---2----------------2---0-------------------------| B--3---------------3---3----------------3---0-------------------------| G--2---------------2---2----------------2---0-------------------------| D-------------------------------------------2-------------------------| A-------------------------------------------3-------------------------| E-------------------------------------------0-------------------------| I see you walking I see you talking With all of my friends... Chorus: F E F Am E E--1----------0--------------1---------------------------------------(fast---| B--1----------0--------------1------------1-------------1-------1------------|repeats) G--2----------1--------------2------------0-------------0-------2------1-----| D--3----------2--------------3------------2-------------0-------2------2-----| A--3----------2--------------3------------3-------------2--------------2-----| E--1----------0--------------1------------3----------------------------0-----| OOO you're strange Don't lame me baby strange Don't lame me baby Lyrics (from liner notes on The Slider): I see you walking, I see you talking With all of my friends I'm shadowed under, You're like some thunder I wanna be your friend I wanna call you, I wanna ball you All night long In winds of passion, My whip is lashing I wanna get you and then CHORUS: OOO you're strange Don't lame me baby strange Don't lame me baby The city's shaking, I ain't faking Baby this is the end I'm overloaded, My head's exploded I wanna get you and then CHORUS Notes: The version on The Slider is in standard tuning. The version in "Born to Boogie" is a half step higher. Marc Bolan doesn't use a capo on this one, however, so he either tuned a half step higher or the film maker (Ringo Starr!) sped it up a bit.