tabbed by borck borck This is only the chords that michael plays. during the verse the Dbm chord is best played as it is during the intro note the [] symbolise measures/bars. i would play the normal F# like this E-2 B-2 G-2 D-4 A-4 E-2 and the F#(2) like this E- B-11 G-11 D-11 A-9 E- the normal E should be played like this E- B-9 G-9 D-9 A-7 E- the E(2) like this E-0 B-0 G-1 D-2 A-2 E-0 intro e----------------------------------------- | B---5---5----5---5-----5----5------------- | G---6---6----6---6-----6----6------------- | D---6---6----6---6-----6----6------------- | A-4--------4---------4---------4-------3-- | E-----4--------4----------4-------4--6---- | Verse C#5 Brother hold your head this way Ab5 And bustle to the front of the line E5 Ab5 Coz if they catch your eyes before you get inside, C#5 Well you'll never be allowed C#5 People got a name for us E5 Ab5 Coz we escape the strain of the days F#5 A5 Oh we stretch in the side and bend in the middle, C#5 But we never ever break C#5 C#5 A5 E5 But if you feel that way now C#5 C#5 A5 F#5 Or if you feel so inclined C#5 F#(2) E5 A5 Ab5 Skip past the doors of boring forty-somethings and rise C#5 C#5 A5 E5 Oh and if you wanna lose your frown C#5 C#5 A5 F#5 Or your name or even your face C#5 F#(2) E5 A5 Ab5 C#5 Lick up a dream that seemingly sings with whistling neon breath It goes thru the same few chord progressions again then to the chorus which is instrumental Chorus [ A5 D5 ][ E5 ][ C#5 E5 ][ B5 ][E5 (2 fr.) ][ Ab5 ][ Ab5 ] repeat. Then back into the verse After second chorus [ C#(not minor)][ Ab5 ][ C#5 ][ Ab5 ][ Ab5 ] Ohhhhhhhhhhhh.... F#5 B5 E5 A5 All your spirits gone, and you are barley alive. D5 Ab5 C#5 You hand me a smoke, though it?s like you hardly notice F#5 B5 And it?s sad I suppose E5 A5 When I look into your eyes you say D5 Ab5 D5 Ab5 It seems to go this way, no matter what?s at stake, D5 Ab5 C#5 Oh it seems to go this way with everything I start guitar solo the chord progression is the same as in the verse, soloing in the Dbm scale tends to sound pretty good C#5 C#5 A5 E5 Oh so if you feel that way now C#5 C#5 A5 F#5 Or if you ever feel so inclined C#5 F#(2) E5 A5 Ab5 Skip past the doors of boring forty-somethings and rise C#5 C#5 A5 E5 But if you want to lose your frown C#5 C#5 A5 F#5 Or your name or even your face C#5 F#(2) E5 A5 Ab5 C#5 Lick up a dream that seemingly sings with rushing neon breath