#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
TO END THE RAPTURE
As recorded by Avenged Sevenfold
(From the 2003 Album SOUNDING THE SEVENTH TRUMPET)
Words and Music by A7x
Gtr I (D A D G B E) - 'Synyster Gates'
Q=120
4/4
Gtr I
~ ~
|-3-| |-3--|
H Q Q Q Q. EQ (022100@1)Q Q H +E E+S (022100@1) E. H +E. E (022100@1)E.
|------------|---------------|-------------------|--------------------|
|-3----3-3-5-|-6------6-8S10-|-8----(8)-6-(6)-5--|-[6]----(6)---------|
|------------|------5--------|-------------------|------------7-------|
|------------|---------------|-------------------|--------------10----|
|------------|---------------|-------------------|--------------------|
|------------|---------------|-------------------|--------------------|
~
|--3--| |-----6-----|
H Q Q Q H Q E (022100@1)name="chord_022100@1">E +Q Q Q S S S S S S
|--------------|-------------8-|-(8)--10--12----------------|
|--------------|---------------|----------------------------|
|-7----7--7--9-|-10----9--10---|----------------------------|
|--------------|---------------|---------------------7-9-10-|
|--------------|---------------|--------------7-9-10--------|
|--------------|---------------|----------------------------|
|------------------------------6-------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S
|------------------------------------------------------------------|
|------------------------------10-11-13----------10-11-13-10-11-13-|
|----------7-9-10-9-7-10-12-13----------10-12-13-------------------|
|-7-9-10-9---------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
~~
|---3---|
H Q Q Q
|-10----10--10--12--|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
|-------------------|
~~
|------3-------| |---------------6----------------|
Q +E E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1) H S S S S S S S S S S S S
|-13--(13)----13----15----17----|-15----/20-19-17----------18-17-15----------|
|----------13----13----13----13-|-----------------20-18-17----------18-17-15-|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|
|-------------------------------|--------------------------------------------|
|---------------------------------6----------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S
|----------------------------------------------------------------------15-|
|-------18-17-15----------------------------15-17-18----------15-17-18----|
|-18-17----------18-17-15----------15-17-18----------15-17-18-------------|
|-------------------------15-17-18----------------------------------------|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
Hard tapping section
~~~ T
|---------------6----------------|
Q. E (022100@1)S S S S S S S S S S S S
|-17----12-17p12h13-12p10h12-15----------------|
|-------------------------------15h17p15-13-18-|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
T T T T
|---------------------------------6---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S
|------------------------------------------------------------------------|
|-18p13h15p13-12-13-17-17p13p12p10h12-15-15p12p10p8h10-17-17p13p12p10h12-|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
T T T
|-----------------------------6------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S
|-13-13p10p8-7h8-15-15p12p10-8h10-17-17p13p12p10-12h13-8-10-8-7-8--|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
|------------------------------------------------------------------|
T T
|---------------------------------6---------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S
|-15-10h12p10-8h10-17-12h13p12-10h12-10h13h15-17-17h18p17-15p13h15-17h18-|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
~~~ ~~
|------3-------|
H. S S S S S S W
|-22---17p15p13----------|-22----|
|---------------15h17h18-|-------|
|------------------------|-------|
|------------------------|-------|
|------------------------|-------|
|------------------------|-------|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b (x24432@1) - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************
