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#-----------------------------PLEASE NOTE-------------------------------------#
#This OLGA file is the author's own work and represents their interpretation  #
#of the song. You may only use this file for private study, scholarship, or   #
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Subject: b/boo_hewerdine/evidence.crd
Date: Sun, 25 May 1997 20:13:17 -0700
From: Sylmar Converter Control Room 

       By Boo Hewerdine
       by Chris (sylcab@ladwp.com)
       (CAPO 1 )

       Intro:      G (320003@1)     D (xx0232@1)     G (320003@1)    D (xx0232@1)A (x02220@1)                   G (320003@1)     D (xx0232@1)     Esus (022200@1) E (022100@1)
              G (320003@1)       D (xx0232@1)      G (320003@1)         D (xx0232@1)     A (x02220@1)             white.... roses... when I..... always  send you
               we go..  dancing  your eyes  are always on the

       G (320003@1)            D (xx0232@1)                     Esus (022200@1)     E (022100@1)     red.. everyone supposes the name on the card is mine
       door.. then I ask you who are you... waiting for...

     G (320003@1)          D (xx0232@1)            G (320003@1)        D (xx0232@1)    A (x02220@1)     late night  phone call....  whispered voices from another
   I was only joking but here comes the punch line right across the

   G (320003@1)             D (xx0232@1)                 Esus (022200@1)     E (022100@1)  room and when I answer all I get is silence on the other line
   floor and if he breaks in we won't be dancing any-more.*(TO CODA)*

                     D (xx0232@1)    A (x02220@1)                D (xx0232@1)      En.c. (022100@1)    and there's your  evi-  dence there's your   evi-   dence

   Repeat Verse:  Then *(TO CODA)*


     D (xx0232@1) A (x02220@1)  D (xx0232@1)         A (x02220@1)             D (xx0232@1)     A (x02220@1)   there's y-o-u-r..evi- dence.there's your evi- dence there's yo--

     D (xx0232@1)        A (x02220@1)    Bm (x24432@1)                 E (022100@1)   --ur evi- dence... how can you say that it's impossible...

     DD  AA    DD  AA     F#m (244222@1)     G (320003@1)      A (x02220@1)       A (x02220@1)                        I don't mind this  waiting till midnight

   F#m (244222@1)       G (320003@1)         A (x02220@1)    A (x02220@1)  F#m (244222@1)  G (320003@1)        F#m (244222@1) G (320003@1)  or that your kisses are cold......  I dont mind being left behind

           F#m (244222@1)      G (320003@1)       A (x02220@1)         D (xx0232@1)        A (x02220@1)  yea.... I just wish I'd been told......your  evi-  dence.....

     D (xx0232@1)          A (x02220@1)       D (xx0232@1)           A (x02220@1)      Bm (x24432@1)    your...evi-  dence.... your....evi-  dence..  how can you say

     E (022100@1)             DD   AA   DD   AA         D (xx0232@1)       A (x02220@1)   it's impossible....               there's  your evi- dence

     D (xx0232@1)         A (x02220@1)          D (xx0232@1)           A (x02220@1)    your  evi-  dence...     your  evi-   dence........

     Bm (x24432@1)              E (022100@1)                DD     AA   n.c.
     how can you say.. it's impossible

     G (320003@1)    D (xx0232@1)     G (320003@1)    D (xx0232@1)A (x02220@1)      G (320003@1)     D (xx0232@1)    Esus (022200@1) (end)

    Esus=  0         Note 1.  the end of verse 2 is kind of tricky,
           0                  it stops short and goes right into
           2                  the chorus part under the D& (xx0232@1)Achords (x02220@1)           2                  at least that's what it sounds like
           2                  to me.
                     Note 2.  if you didn't notice this song is
                              played with aCapo (x02210@1)on the 1st. fret.

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