D Standard tuning (D G C F A D)
Intro:
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------9--99--8-888-8-8-8------------------------|
|------------5--555----s-9---9-9-9----9--99--9-999-9-9-9--9-10-9-7--------------| x 7
|--7--777----7--777----s10--101010---10----------------------------10-9---------|
|--0--000-----------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------| x 4
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|--2-2-2-3-3-3--3-3-3-4-4-4-4-4-4-5-5-5-5-5-5-6-6-6----------------------------------|
|--0-0-0-0-0-0--1-1-1-1-1-1-2-2-2-2-2-2-3-3-3-3-3-3----------------------------------|
Then back to intro riff, vocals come in
Verse:
|-------------------------------------------------------------------------------|
|-------------------------------------------------------------------------------|
|-------------------------------------9--99--8-888-8-8-8------------------------| x 4
|------------5--555----s-9---9-9-9----9--99--9-999-9-9-9--9-10-9-7--------------|
|--7--777----7--777----s10--101010---10----------------------------10-9---------|
|--0--000-----------------------------------------------------------------------|
"Licentious damsels ingesting semen juice, The prince of life by these lustful means"...etc
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------| x 4
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
|--2-2-2-3-3-3--3-3-3-4-4-4-4-4-4-5-5-5-5-5-5-6-6-6----------------------------------|
|--0-0-0-0-0-0--1-1-1-1-1-1-2-2-2-2-2-2-3-3-3-3-3-3----------------------------------|
"Only for the tetrach to taketh away, The hope of diseased folk who followed" ...etc
|-------|
|-------|
|-------| *at the end of the fourth measure of the above riff
|-------|
|-2b3b2-|
|-0-----|
Chorus - First Riff:
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------| x 2
|-777777-4444444444-666666-5555555555-777777-5555555555-7777777-4444444444-----------|
|-555555-2222222222-444444-3333333333-555555-3333333333-5555555-2222222222-----------|
|------------------------------------------------------------------------------------|
|------------------------------------------------------------------------------------|
Chorus - Second Riff
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|-555555-2222222222-444444-3333333333-555555-3333333333-555555-2222222222---| x 4
|-333333-0000000000-222222-1111111111-333333-1111111111-333333-0000000000---|
"Lamb of god, slain will be"...etc
Second Verse
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 16
|-----------------------------333--------------|
|-3-333-7-333-77--222-333-555-555--------------|
|-5-555-5-555-55--444-444-444-444--------------|
"Beneath the wise star suffered the accused, Myrrh and vinegar sprinkled on his hippie lips"...etc
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------| x 2
|-222222222221321322222---55555555-4-2---44445-22222222222---------------------|
|-000000000000000000000---33333333-2-0---22223-00000000000-2-3-3---------------|
|--------------------------------------4-------------------0-1-1---------------|
"The enigmas of his birth, Told by traveling shepherds"...etc
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 8
|-----------------------------333--------------|
|-3-333-7-333-77--222-333-555-555--------------|
|-5-555-5-555-55--444-444-444-444--------------|
"Bitches cometh to anoint the bruised residue, Exequies outlawed by the pagan centurions"...etc
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------| x 2
|-222222222221321322222---55555555-4-2---44445-22222222222---------------------|
|-000000000000000000000---33333333-2-0---22223-00000000000-2-3-3---------------|
|--------------------------------------4-------------------0-1-1---------------|
"The priest is driven to confession, He admits to an act of bestiality"...etc
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 12
|-----------------------------333--------------|
|-3-333-7-333-77--222-333-555-555--------------|
|-5-555-5-555-55--444-444-444-444--------------|
Outro (this whole section is repeated twice):
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 6
|----------------------------------------------|
|-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------|
|-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------|
"He bled the blackest blood, For he was already deceased"...
|----------------------------------------------|
|-10--10s-6-6--5-5-----------------------------|
|---9------5----5--7--7-5----------------------|
|-------------------9-----7-7------------------| x 1
|---------------------------7--7-7-7-5---5-----|
|------------------------------8-8-----7-------|
"He bled the blackest blood, For he was already deceased"...
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 5
|-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------|
|-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------|
"He bled the blackest blood, For he was already deceased"...
|----------------------------------------------|
|-10--10s-6-6--5-5-----------------------------|
|---9------5----5--7--7-5----------------------|
|-------------------9-----7-7------------------| x 1
|---------------------------7--7-7-7-5---5-----|
|------------------------------8-8-----7-------|
"He bled the blackest blood, For he was already deceased"...
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------| x 5
|-3-33-3-33-7-3-5-3-7-7-77-7-77-5-2-22-5-------|
|-5-55-5-55-5-5-5-5-5-3-33-3-33-3-3-33-3-------|
"Lamb of God, slain will be"...
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
/ - tremolo bar dip; n = amount to dip
- tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
