#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
PIPELINE (Bassline)
As recorded by Anthrax
(From the 1991 EP ATTACK OF THE KILLER B'S)
Transcribed by Mike Sheehan
Music by Bob Spickard and Brian Carman
Gtr I (E A D G) - 'Frank Bello'
Intro
Q=192
$
4/4
Gtr I
W W Wx6
|----------|----------||---------|
|----------|----------||o--------|
|----------|----------||o--------|
|----------|----------||---------|
W W W W
|------------|------------|------------|--------|
|------------|------------|------------|--------|
|-^14--------|-^14--------|-^14--------|-^14----|
|-^12--------|-^12--------|-^12--------|-^12----|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-0---0---0-2-|
|-----------------|-----------------|-----------------|-------2---2-----|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|---0-0-0---------|
|-----------------|-----------------|-----------------|-0-------3-0-2-0-|
E. S E E +E E E E E. S E E +E E E E
|--------------------|--------------------|
|--------------------|--------------------|
|-2--2-2-2-(2)-2-2-2-|-3--3-3-3-(3)-3-3-3-|
|--------------------|--------------------|
E. S E E +E E E E E. S E E +E E E E
|--------------------|--------------------|
|--------------------|--------------------|
|-2--2-2-2-(2)-2-2-2-|-3--3-3-3-(3)-3-3-3-|
|--------------------|--------------------|
1.
To Coda
E. S E E +E E E E E. S E E +E E E E Q E E +E E E E E E Q H
|--------------------|--------------------|------------------|--------------||
|--------------------|--------------------|------------------|-------------o||
|-2--2-0-2-(2)-0-2-0-|-2--2-0-2-(2)-0-2-0-|-0----0-(0)---0---|-0-----------o||
|--------------------|--------------------|----3-------3---3-|--------------||
2.
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-----------------|-----------------|
|-----------------|-----------------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-----------------|-----------------|
|-----------------|-----------------|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
D.S. al Coda
E E E E E E E E E E E E E E E E W W
|-----------------|-----------------|----------|------||
|-----------------|-----------------|----------|------||
|-----------------|-----------------|-0--------|------||
|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|----------|------||
&
Q E E +E E E E Q E E +E E E E E E Q H H Q Q
|------------------|------------------|-------------|------------*|
|------------------|------------------|-------------|------------*|
|-0----0-(0)---0---|-0----0-(0)---0---|-------------|------------*|
|----3-------3---3-|----3-------3---3-|-0-----------|------0-----*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
