#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# BEAUTIFUL WORLD (Bassline) As recorded by Coldplay Transcribed by unregistered Gtr I (E A D G) - 'Bass' Q=125 4/4 Gtr I Wx4 Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |------------|---------------|---------------|---------------|-----------------| |------------|---------------|---------------|---------------|-----------------| |------------|-0----0--0-0---|-3----3--3-3---|---------------|-----------------| |------------|---------------|---------------|-1----1--1-1---|-1----1--1-3-----| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E Q Q. Q E Q Q. Q E E E Q. Q E E E |--------------|--------------|---------------|---------------| |-0----0--0----|--------------|---------------|---------------| |-----------0--|-3----3--3----|---------------|---------------| |--------------|-----------3--|-1----1--1-1---|-1----1--1-3---| Q. Q E Q Q. Q E Q Q. Q E E E Q. Q E E E |--------------|--------------|---------------|---------------| |-0----0--0----|--------------|---------------|---------------| |-----------0--|-3----3--3----|---------------|---------------| |--------------|-----------3--|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E Q Q. Q E Q Q. Q E E E Q. Q E E E |--------------|--------------|---------------|---------------| |-0----0--0----|--------------|---------------|---------------| |-----------0--|-3----3--3----|---------------|---------------| |--------------|-----------3--|-1----1--1-1---|-1----1--1-3---| Q. Q E Q Q. Q E Q Q. Q E E E Q. Q E E E |--------------|--------------|---------------|---------------| |-0----0--0----|--------------|---------------|---------------| |-----------0--|-3----3--3----|---------------|---------------| |--------------|-----------3--|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. Q E E E |---------------|---------------|---------------|---------------| |---------------|---------------|---------------|---------------| |-0----0--0-0---|-3----3--3-3---|---------------|---------------| |---------------|---------------|-1----1--1-1---|-1----1--1-3---| Q. Q E E E Q. Q E E E Q. Q E E E Q. H +E |---------------|---------------|---------------|---------------*| |---------------|---------------|---------------|---------------*| |-0----0--0-0---|-3----3--3-3---|---------------|---------------*| |---------------|---------------|-1----1--1-1---|-1----1----(1)-*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
