• Song:

    Strength

  • Artist:

    Enuff Znuff

#----------------------------------PLEASE NOTE--------------------------------#
#This file is the author's own work and represents their interpretation of the#
#song. You may only use this file for private study, scholarship, or research.#
#-----------------------------------------------------------------------------#

Date: Thu, 16 Apr 1998 23:57:04 -0500
From: Brent Rhodes 
Subject: e/enuff_znuff/strength.tab

Songname: Strength
Artist: Enuff Z'nuff
Transcriber: Brent Rhodes//brhodes1@bellsouth.net
Roving Gypsies Music
This song comes from the album "Strength" Track #3
Words and Music: Donnie Vie/Chip Z'nuff


Bb/F#     C#7 (x4342x@1)   G#/E
EADGBE   EADGBE  EADGBE
x1232x   x4342x  4x245x

Tune half step down

Intro Rhythm Fig.1(4x)
Bm (x24432@1)       Bb (x1333x@1)A (x02220@1)G# (xx1114@1)G7Eb-7-------7-----------|-----1-------1---| (320001@1)Bb-7---7---7-----------|-3-3---3-3-3---3-|
Gb-7-7---7-7-----------|-0-------0-------|
Db-9-------9--8--7--6--|-0-------0-------|
Ab-9-------9--8--7--6--|-----------------|
Eb-7-------7--6--5--4--|-3-------3-------|

On the 4th repeat of the intro, the 2nd guitar plays fill 1
 Fill 1
Bm (x24432@1)name="chord_x1333x@1">Bb A (x02220@1)name="chord_xx1114@1">G#  G7|---------|--------| (320001@1)|-------7-|-6~~~~~-|
|-4-6-7---|--------|
|-------4-|-3~~~~~-|
|-2-4-5---|--------|
|---------|--------|


Bm (x24432@1)  G7Now (320001@1)is no time

Bm (x24432@1)    C#7(fill2)
To judge our love. With

D (xx0232@1)            EAll (022100@1)the mess a-round us. Times are

G (320003@1)   A (x02220@1)   Bb/F#
tough.
--3-----|-------------------]
--3-----|--2-------2-------]
--0-----|--2---2---3---3---]
--0---*-|--2-2---2-2-2---2-]
--------|--0-------1-------]
--3-----|-------------------]
* distortion comes in

Bm (x24432@1)   G7And (320001@1)I know it takes

Bm (x24432@1)   C#7(fill 2)
More than I give now. To

D (xx0232@1)	ETo (022100@1)build a world where you and I can

G (320003@1)   A (x02220@1)Bb/F#
live.      And I


Bm (x24432@1)    Bm (x24432@1)name="chord_x43121@1">C# D (xx0232@1)A (x02220@1)G7Need (320001@1)you now          To help me through. To
-2----------------------|-----------------------|
-3----------------------|-----------------------|
-4------------4-6--7----|-----------------6-7---|
-4--------------------7-|-5-------------5-----7-|
-2------------2-4--5----|-5---------------4-5---|
----------------------5-|-3-------------3-----5-|

G#/E    E (022100@1)   A (x02220@1)    Bb/F#
be the one I know is true.  To
------------------------------|
-5-----------2--------2-------|
-4------1----2---2----3---3---|
-2------2----2-2---2--2-2---2-|
--------2----0--------1-------|
-4-----0---------------------|

Bm (x24432@1)         Bm (x24432@1)name="chord_x43121@1">C# D (xx0232@1)name="chord_x02220@1">A G7hold (320001@1)my hand         To keep the faith. To

G#/E    E (022100@1)     A (x02220@1)Bb/F#
be my guard. To be my

Rhythm Fig.1 (2x) On second time 2nd guitar plays fill 1
strength._______________



I know that I
Want you to be my
Friend for life. The arms that comfort me.

A (x02220@1)    Bb/F#
Oh, but baby

Bm (x24432@1) G7It'll (320001@1)take some time          to be like
-----------------|-----------------|
-3-3-------------|-----------------|
-4-4-------------|-----------------|
-4-4-------------|-5-5-----7-----7-|
-2-2-------------|-5-5-----5-----5-|
-----------------|-3-3-3-3---3-3---|

Bm (x24432@1)  C#7 (x4342x@1)name="chord_xx0232@1">D
others. To build a world.
To build a family.

 At the end of the chorus, play Rhy. Fig. 1 throughout solo

(transcribed for guitar)
//-tremolo pick the notes preceding the double slash

Bm (x24432@1)Bb (x1333x@1)name="chord_x02220@1">A G# (xx1114@1) G7------------------------|--19---19---19---19~~~~~~-21-22-21-19-21-22-| (320001@1)-------------------19//-|-(18)-(18)-(18)-(18)~~~~~-------------------|
--------------19//------|--------------------------------------------|
(21)-----21//-----------|--------------------------------------------|
------------------------|--------------------------------------------|
------------------------|--------------------------------------------|

Bm (x24432@1)			Bb (x1333x@1)   A (x02220@1)    G# (xx1114@1)			          ^ ^ ^  ^ ^
-x/22~~~~-19-----------------------------------------|
-------------19--------------------------------------|
----------------19-21~~~-21h23p21p19------7-9-11-9-7-|
-------------------------------------21--------------|
-----------------------------------------------------|
-----------------------------------------------------|

G7--------------------------------------------| (320001@1)--------------------------------------------|
--/10~~~10-10-10~~~--9h10p9p7-9-10-9h10p9p7-|
-x/-9~~~-9--9--9----------------------------|
--------------------------------------------|
--------------------------------------------|

Bm (x24432@1)       	Bb (x1333x@1)   A (x02220@1)  G# (xx1114@1)  G7 (320001@1)   (*)

--------------------21-19----19--|-21b(22)r21-------19--19--19--19--19---|
----12-----------19-------23-----|------------18~~~---18--18--18--18--18-|
--------------19-----------------|---------------------------------------|
-9---------21--------------------|---------------------------------------|
---------------------------------|---------------------------------------|
---------------------------------|---------------------------------------|

Bm (x24432@1)		Bb (x1333x@1)   A (x02220@1)    G# (xx1114@1)   G7 (320001@1)^   ^					           ^  ^  ^
-14------------------------------------------------|-------------]
----12-12~~--14h15p14p12---------------------------|-------------]
---------------------------------------------------|-------14~~~-]
--------------------------16-12-14~~-16-12----12-16|-15-12-------]
------------------------------------------(14)-----|-------------]
---------------------------------------------------|-------------]

(*) This part would probably sound better if you
 could hammer on and pull off like so on the high E string.
 --19p13h19p13..., but it's a major stretch.
The ^ symbol is used to signify the prominent notes in the
solo to allow you to find your place easily.
The notes in parentheses are ghost notes when they stand alone,
but when they are seen in a bend, it is the pitch of the bended note.

Fill 2
C#7 (x4342x@1)                D-------------------|-2--| (xx0232@1)----------5-4-3-2--|-3--|
--------4----------|-2--|
------3------------|-0--|
----4--------------|----|
-------------------|----|

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