see notes and key below the tab
Andantino
2/4
__ ____ ____ __ ____ ____ __
| | | | | | | | | | | | |
E---||--3--2--0-----|-0===-`/-----|-7--5--3--2--|-3===-`/--0--|
B---||-----------4--|----------0--|-------0====-|-------------|
G-4-||*-4--2--0====-|-0===--------|-------------|-------------|
D---||*----------4--|-2-----------|-5--4--2--1--|-2-----------|
A---||--------2-----|----2--------|-------------|----2--------|
E---||--0====-------|-------0====-|-0====-------|-------0====-|
| | | | | | | | | |
---- ----
____________________________
#5 |1. |
---== ---== === __ __| ____ ____ __
|. | |. | |h| | | | | | | | |. |
E-8---7-5---3-|-2=3-5===--8-|-7--5--3--5--|-2=======----||
B-------0====-|-0====--0-`/-|-0====-0====-|-0--0-----0--||
G-------------|-------------|-------------|------------*||
D-7---5-4---2-|-1-2-4-`/--7-|-5--4--2--4--|-1=======---*||
A-0====-------|-------------|-------------|-------2====-||
E-------------|-------------|-------------|-------------||
| | | | | | | | |
-- ----
________________
|2.
| ____ ____ __ ____ ____ ======= ----
#9| | | | |. | | | | | |p| | | | |
E-7--5--3--2--|-0======-||-7-||--7-----------|------------5--|
B-0====-0-----|---------||---||-----3--3--3--|-3=1-0-1-1-----|
G----------2--|-0======-||---||*-------1====-|---------2-`/--|
D-5--4--------|-2-------||---||*-------2====-|---------2-----|
A-------2====-|----2----||---||--------------|-0-------------|
E-------------|-------0-||`/-||--0=========--|---------------|
| | | | | | |
---- -- --
#13___ ____ ======= ---- ======= =======
| | | | |p| | | | | | | | | | | | | | |
E-5-----------|---------------|--------0-5-3-2-0-|---------|
B----1--1--1--|-1=0---0-0-----|------1-----------|-5---4---|
G-------2====-|-----2---0--0--|----2-----5======-|---------|
D-0==========-|---------0-`/--|--4---------------|---------|
A-------------|---------------|-0==============--|-3---2---|
E-------2====-|-3===========--|------------------|---------|
| | | | |
| --
#17======= =======-@-____ ____ ____ __
| | | | | | | | | | | | | | | |
E--------0-5-3-2-0-|----------7--||----------||
B------1-----------|-5--4--5-----||-5--4--5--||
G----2-----5=====--|-0----------*||-0--------||
D--4---------------|----4--5----*||----4--5--||
A-0==============--|-3--2----`/--||-3--2-----||
E------------------|-------0-----||-------0--||
| | | | | | |
---- -- ---- -- D.C. al coda
Coda:
____
| | | (chord arpegio)
E----------------4---||
B-5--4---------------||
G-0-----------4------||
D----4-----2---------||
B-3--2---------------||
E-------0------------||
| | Fermata
----
================================================================
| - quarter note ==
| - sixteenth note
__ \
| | `/ - eighth rest
-- | eighth notes
| | |. - dotted note
| |
-- / --0======-- - explaining the note's duration
=== ===
|p| - pull-off |h| - hammer-on
|
-@- - coda sign
|
D.C. al Coda - go back and replay the piece from the beginning
to the coda sign, then skip to coda.
================================================================
The bass-note A in the measures #15 & #17 is not under the note F#
in my tab - this means you must play these notes arpeggiated.
I think the observance of rhythm here is important.
You can also find your own way to play this piece: using
open strings in measures #16 or #18 for example.
The piece ends with a major chord - that is not a mistake:
there is a dance in the major scale in the following piece in the Suite.
================================================================
