From Kloot's eponymous 2003 album. The chords are easy, but this uses a vaguely jazzy / 
shuffle rhythm and lots of syncopation which makes the 'feel' the most important thing!

Capo 2, chords relative to capo, so for example Em is played 022000 relative to capo but 
is in fact Gbm

Intro
=====

Em A7 x 4

Verse 1
=======

Em (022000@1)       A (x02220@1)          Em (022000@1)    AA (x02220@1)strange ar-rangement of colours

Em (022000@1)       A (x02220@1)            Em (022000@1)   AYou (x02220@1)found your feet where you put em

Em (022000@1)          AI'm (x02220@1)after you you're after me

Em (022000@1)                   AThe (x02220@1)things that we say the things that we see

Em (022000@1)   A (x02220@1)   EmWe've (022000@1)got to be re-minded

Chorus 1
========

E (022100@1)   F# (244322@1)G (320003@1) A (x02220@1)Gsus4Where (3x0013@1)did you go

A (x02220@1)  G (320003@1) F# (244322@1)EWhat (022100@1)did you see

E (022100@1)  F# (244322@1)G (320003@1)  A (x02220@1)   Gsus4When (3x0013@1)you were there

A (x02220@1)  G (320003@1) F# (244322@1)E (022100@1)  AWhat (x02220@1)did you leave

Em (022000@1) A (x02220@1)Em (022000@1) A (x02220@1)Em (022000@1)  ALeave (x02220@1)  leave   leave

Verse 2
=======

Em (022000@1)       A (x02220@1)   Em (022000@1)    AThe (x02220@1)light that is re-flected

Em (022000@1)      A (x02220@1)     Em (022000@1)   AThe (x02220@1)times you were re-jected

Em (022000@1)                AYou're (x02220@1)after me and I'm after you,

Em (022000@1)                   AThe (x02220@1)things that we say the things that we do

Em (022000@1)   A (x02220@1)     EmWe've (022000@1)got to be good looking



Chorus 2
========

E (022100@1)   F# (244322@1)G (320003@1) A (x02220@1)Gsus4Where (3x0013@1)did you go

A (x02220@1)  G (320003@1) F# (244322@1)EWhat (022100@1)did you see

E (022100@1)  F# (244322@1)G (320003@1)  A (x02220@1)   Gsus4When (3x0013@1)you were there

A (x02220@1)  G (320003@1) F# (244322@1)E (022100@1)  AWhat (x02220@1)did you leave

Em (022000@1) A (x02220@1)Em (022000@1) A (x02220@1)Em (022000@1)  ALeave (x02220@1)  leave   leave

Verse 3
=======

Em (022000@1)     A (x02220@1)   Em (022000@1)    AA (x02220@1)lie that is re-jected

Em (022000@1)      A (x02220@1)   Em (022000@1)    AA (x02220@1)time that we re-flected

Em (022000@1)          AI'm (x02220@1)after you you're after me

Em (022000@1)                   AThe (x02220@1)things that we say the things that we see

Em (022000@1)   A (x02220@1)   EmWe've (022000@1)got to be re-minded

Chorus 3
========

E (022100@1)   F# (244322@1)G (320003@1) A (x02220@1)Gsus4Where (3x0013@1)did you go

A (x02220@1)  G (320003@1) F# (244322@1)EWhat (022100@1)did you see

E (022100@1)  F# (244322@1)G (320003@1)  A (x02220@1)   Gsus4When (3x0013@1)you were there

A (x02220@1)  G (320003@1) F# (244322@1)E (022100@1)  AWhat (x02220@1)did you leave

Em (022000@1) A (x02220@1)Em (022000@1) A (x02220@1)Em (022000@1)  ALeave (x02220@1)  leave   leave

Outro
=====

Em (022000@1)       A (x02220@1)          Em (022000@1)    AA (x02220@1)strange ar-rangement of colours

Em (022000@1)

-----------------------------------------

I hope I've done it justice!

Kevin O'Brien
Watford
England
August 2011

watfordkev@gmail.com
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