#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## ST PATRICKS HYMN As recorded by John Fahey (From the 1965 Album THE TRANSFIGURATION OF BLIND JOE DEATH) Music by John Fahey Transcribed by Brian Murtagh Gtr I (E A D G B E) Moderately Q=117 3/4 Gtr I H Q Q Q Q Q Q Q Q Q Q |---------|----------|-----------|------0-----| |---------|----------|-----------|-^1------3--| |---------|-2-----2--|-^0-----0--|-^0---------| |------2--|-2--2-----|-^2--2-----|------------| |------2--|-0--------|-^0--------|-^3---------| |---------|----------|-----------|------------| H. Q Q Q Q Q Q Q Q Q H Q |----------|-----------|----------|----------| |-1--0-----|-^3-----0--|----0--3--|-1----1---| |----0--0--|-^0-----0--|-0-----0--|-0--------| |-2--2-----|--------0--|-0-----0--|----------| |-3--------|-----------|----------|-3--------| |----------|-----3-----|-3--------|----------| Q Q Q Q E E E E Q Q Q H Q |----------|-------------|----------|----------| |-0--------|-------0-1---|----------|-1--------| |-0--0-----|-2---2-----2-|-0--------|-0----0---| |-2-----2--|-2-----------|----2-----|----------| |----------|-------------|-------3--|----------| |----------|-------------|----------|----------| H. Q Q E E H E E H Q H Q |-----------|-0------0-|---------|----------| |----0--1-3-|------3---|-1----0--|----------| |-2---------|----------|-0-------|-2----2---| |-3-----2---|-2--------|---------|-2----2---| |-3-----0---|-3--------|-3-------|-0----0---| |-----------|----------|---------|----------| H Q H Q H Q Q Q Q H Q |---------|-----------|--------0--|-----------| |---------|-^1----^1--|-1---3-----|-^3----2---| |-2----0--|-^0----^0--|-0---------|-^0----0---| |-2----0--|-----------|-----------|-^0----0---| |-0-------|-^3----^3--|-3---------|-----------| |---------|-----------|-----------|-^3----3---| H. H Q H Q Q Q Q H Q |-----0-|---------|----------|---------| |-3---0-|---------|----0--3--|-1----1--| |-0-----|-2----2--|-0-----0--|-0----0--| |-0-----|-2----2--|-0-----0--|---------| |-------|-0----0--|----------|-3----3--| |-3-----|---------|-3--------|---------| H Q Q Q Q Q Q Q Q Q Q |---------|----------|-----------|-----------| |-0-------|----------|-----------|-1---------| |-0-------|-2-----2--|-^0-----0--|-0-----0---| |-2----2--|-2--2-----|-^2--2-----|----2------| |---------|-0--------|-^0--------|-3---------| |---------|----------|-----------|-----------| H.=H Q Q E E H E E H Q H Q H. |-----------|-0-------0-|----------|--------|-------*| |----0--1-3-|-------3---|-1-----0--|--------|-------*| |-2---------|-----------|-0--------|-2----2-|-2-----*| |-------2---|-2---------|----------|-2----3-|-2-----*| |-------0---|-3---------|-3--------|-0----0-|-0-----*| |-----------|-----------|----------|--------|-------*| H Q H. H. Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths