• Song:

    Sunny Afternoon

  • Artist:

    Kinks

  • Album:

    To the Bone

SUNNY AFTERNOON (Bassline)

As recorded by The Kinks
(From the 1966 Album FACE TO FACE)

Words and Music by Ray Davies
Transcribed by Slowhand

Gtr I (E A D G) - 'Bass'

 Intro
  Q=122(8=s8)
 4/4
  Gtr I
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------|
|-------------|-------------|-------------|-3--3--2--2--|
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------||
|-------------|-------------|-------------|-3--3--2--2--||
|-------------|-------------|-------------|-------------||
|-------------|-------------|-------------|-------------||


   1st & 2nd Verses
    H    H      H    H      H    H      H    H
||--7---------|-5---------|------5----|-5----0----|
||o------7----|-----------|-3---------|-----------|
||o-----------|------5----|-----------|-----------|
||------------|-----------|-----------|-----------|


  Q  Q  Q  Q    Q  Q  Q  Q    H    H      H    H
|-2--2--0--0--|-------------|-7---------|-5---------|
|-------------|-3--3--2--2--|------7----|-----------|
|-------------|-------------|-----------|------5----|
|-------------|-------------|-----------|-----------|


  H    H      H    H      Q  Q  Q  Q    Q  Q  Q  Q
|------5----|-5----0----|-2--2--0--0--|-------------|
|-3---------|-----------|-------------|-3--3--2--2--|
|-----------|-----------|-------------|-------------|
|-----------|-----------|-------------|-------------|


                            Chorus
                          $
  H    H      Q  Q  Q  Q     H    H      H    Q  Q
|-7---------|-7-----4--6--||-7---------|-7-------7--|
|------7----|----7--------||------7----|------7-----|
|-----------|-------------||-----------|------------|
|-----------|-------------||-----------|------------|


  H    H      Q  Q  Q  Q    H    H      H    Q  Q
|-0----0----|-0-----------|-----------|------------|
|-----------|----3--2--0--|------5----|------0--2--|
|-----------|-------------|-3---------|-3----------|
|-----------|-------------|-----------|------------|


  H    Q  Q    Q  Q  Q  Q    H    Q  Q    Q  Q  Q  Q
|------------|-2--0--------|------2--2--|-0--7--7--0--|
|-3-------3--|-------3--2--|-0----------|-------------|
|------3-----|-------------|------------|-------------|
|------------|-------------|------------|-------------|


                                             To Coda
  H    Q  Q    Q  Q  H      Q  Q  Q  Q    H    Q  Q
|-7----------|-------5----|-------5-----|------6--6--||
|------7--7--|-5--5-------|-3--3-----3--|-7----------||
|------------|------------|-------------|------------||
|------------|------------|-------------|------------||


 Bridge
  1.
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------|
|-------------|-------------|-------------|-3--3--2--2--|
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|--------------||
|-------------|-------------|-------------|-3--3--2--2--o||
|-------------|-------------|-------------|-------------o||
|-------------|-------------|-------------|--------------||


  2.
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------|
|-------------|-------------|-------------|-3--3--2--2--|
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|


                                           D.S. al Coda
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------||
|-------------|-------------|-------------|-3--3--2--2--||
|-------------|-------------|-------------|-------------||
|-------------|-------------|-------------|-------------||


  &
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-7--7--5--5--|-4--4--3--3--|-2--2--0--0--|-------------|
|-------------|-------------|-------------|-3--3--2--2--|
|-------------|-------------|-------------|-------------|
|-------------|-------------|-------------|-------------|


   Outro
                                             1.
    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
||--7--7--5--5--|-4--4--3--3--|-2--2--0--0--|---------------||
||o-------------|-------------|-------------|-3--3--2--2---o||
||o-------------|-------------|-------------|--------------o||
||--------------|-------------|-------------|---------------||


  2.
  Q  Q  Q  Q    Q  Q  H      W          W
|-------------|------------|----------|------*|
|-3--3--2--2--|------------|----------|------*|
|-------------|-0----------|----------|------*|
|-------------|------------|----------|------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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