Intro l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l Fm/Bb Bbl (x1333x@1)Eb (x43121@3)name="chord_133211@1">F Bb* (x1333x@1)l l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l Fm/Bb Bbl (x1333x@1)Eb (x43121@3)name="chord_133211@1">F Bb* (x1333x@1)l verse l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l In 1966 I found my love l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l In 1967 I had all there was l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l And as my time went by I was satisfied l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1)l Until that situation took me by surprise chorus l Eb (x43121@3) Bb (x1333x@1) Fl (133211@1) l Eb (x43121@3)Bb (x1333x@1) Fl (133211@1) Now there's two trains runnin' - on that line l Eb (x43121@3) Bb (x1333x@1) F (133211@1) * l Bb (x1333x@1)Eb/F Bbl (x1333x@1) One train's me, and the other's a friend of mine l Eb (x43121@3)Eb (x43121@3)name="chord_x1333x@1">Bb * lEb Eb (x43121@3)name="chord_x1333x@1">Bb *l You know it would be all right, be just fine l Eb (x43121@3) l * Eb (x43121@3)name="chord_133211@1">F l Bb (x1333x@1) If the woman took one train, and left the other behind l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l verse l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l Illusion it is just the same l Fm/Bb Bbl (x1333x@1) Bb (x1333x@1) * * * l Conclusion I don't know how to play the game l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l Of what it is or how it's going to be l Fm/Bb Bbl (x1333x@1) Bb (x1333x@1) * * * l When one train is my friend and the other train is me bridge l Bb Bb7l Eb/Bb *l l Bb Bb7l Eb/Bb *l l Bb Bb7l Eb/Bb *l l Bb Bb7l Eb/Bb *l verse l Fm/Bb Bbl (x1333x@1)Bb (x1333x@1) l Easy, I say easy, l Fm/Bb Bbl (x1333x@1) Bb (x1333x@1) * * * l I can't push or shove her So I guess I really care l Fm/Bb Bbl (x1333x@1) Bb (x1333x@1) * * * l Now I'm not one to hide my love behind a lock and key l Fm/Bb Bbl (x1333x@1) Bb (x1333x@1) * * * l But if things keep going the way they are there's no place left for me chorus l Eb (x43121@3) Bb (x1333x@1) Fl (133211@1) l Eb (x43121@3)Bb (x1333x@1) Fl (133211@1) Now there's two trains runnin' - on that line l Eb (x43121@3) Bb (x1333x@1) F (133211@1) * l Bb (x1333x@1)Eb/F Bbl (x1333x@1) One train's me, and the other's a friend of mine l Eb (x43121@3)Eb (x43121@3)name="chord_x1333x@1">Bb * lEb Eb (x43121@3)name="chord_x1333x@1">Bb *l You know it would be all right, be just fine l Eb (x43121@3) l * Eb (x43121@3)name="chord_133211@1">F l Bb (x1333x@1) If the woman took one train, and left the other behind outro ll:Bb ***:ll Two trains, two trains, two trains, two trains notes: I use asterisks(*) to mark time in the rhythm changes. They are not intended to dictate any change in the harmonic or chordal structure. /* Ultimate-Guitar - Tab Pages */ (function() { var opts = { artist: "Little Feat", song: "Two Trains", genre: "", adunit_id: 39382312, div_id: "cf_async_" + Math.floor((Math.random() * 999999999)), hostname: "srv.tonefuse.com" }; document.write('');var c=function(){cf.showAsyncAd(opts)};if(window.cf)c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//"+opts.hostname+"/showads/showad.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; })(); UG plus: remove banner comments We did not receive enough feedback on this tab! Please rate: print report bad tab 1 2 3 4 5 I want to post comment or correction [tab] guest You may want to rate the tab now too: select rating Please do not post tabs as comments. 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