• Song:

    Succexy

  • Artist:

    Metric

  • Album:

    Old World Underground, ...

-------------------------------------------------------------------------------
			     Succexy - Metric
-------------------------------------------------------------------------------
Tabbed by: Stouffer
Email: Stouffer2003@hotmail.com

Tuning:EADGBe

This was tabbed on an acoustic guitar.  If playing electric, subsitute bar chords for
powerchords.


F# (244322@1)             G (320003@1)    F# (244322@1)   Lonesome for no one when
F# (244322@1)             G (320003@1)    F# (244322@1)   The room was empty and
F# (244322@1)             G (320003@1)       F# (244322@1)   War as we knew it was obsolete
F# (244322@1)             G (320003@1)   A (x02220@1)     F# (244322@1) G (320003@1) F# (244322@1)   Nothing could beat complete denial
G (320003@1)A (x02220@1)F# (244322@1)             F# (244322@1)  G (320003@1)    F#All (244322@1)we do is talk, sit, switch screens
        G (320003@1)     A (x02220@1)   F#As (244322@1)the homeland plans enemies
              F# (244322@1)  G (320003@1)    F#All (244322@1)we do is talk, static split screens
        G (320003@1)     A (x02220@1)   F# (244322@1)          (F#) (Whammy/bend strings if on electric)
As the homeland plans enemies


At 14s this keyboard riff kicks in and continues until the chorus:
e|---------------------------------------------------------------------------|
B|---------4-5/4-2---6/5-2---4-2---2--------------0-5/4-2---6/5-2------------|
G|-------2---------4-------4-----4---4----------2---------4-------444--44----|
D|-----4-------------------------------4------4------------------------------|
A|---4-----------------------------------4--4--------------------------------|
E|---------------------------------------------------------------------------|

Chorus

Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4----------x2--------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|

                   G (320003@1)     F#Let's (244322@1)drink to the military
           G (320003@1)     F#The (244322@1)glass is empty
           G (320003@1)                F#Faces (244322@1)to fill and cars to feed
               G (320003@1)   A (x02220@1)      F# (244322@1) G (320003@1) F#Nothing (244322@1)could beat complete denial
G (320003@1)A (x02220@1)F# (244322@1)             F# (244322@1)  G (320003@1)    F#All (244322@1)we do is talk, static split screens
        G (320003@1)     A (x02220@1)   F#As (244322@1)the homeland plans enemies

             F# (244322@1)  G (320003@1)    F#All (244322@1)we do is talk, static split screens
        G (320003@1)     A (x02220@1)   F#As (244322@1)the homeland plans enemies

Invasion's so succexxy....
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---6-44----6-44---6-44---6-44---6-44---6-44---6-4------------x4------------|
D|--------6------6------6------6-------6------6-----444-44-------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|


Passive attraction, programmed reaction
Passive attraction, programmed reaction
Action distraction, more information
Flesh saturation, lips on a napkin
Ass ass ass

Bass fill
e|-------------------------------------------------------------------------------------------------------------------|
B|-------------------------------------------------------------------------------------------------------------------|
G|-------------------------------------------------------------------------------------------------------------------|
D|------------------------------------------------------------------------99-9----------------99-9-------------------|
A|--22--2/44-4/99-9-9-9----22--2/44-4/99-9-9-9----22-2/44-4/99-9-9-9----------77-7/99-9-9---------77-7/99-9-9--------|
E|-------------------------------------------------------------------------------------------------------------------|

Where does the time go?
We're waking up so slowly
Days are horizontal lately
Out of body, watched from above
Out of body, watched from above

This kicks in at 2:09
e|-----------------------|-----------------------------------------------|
B|-10-10----10-12-10-----|--7-7---9-9---10-10--10-12-10------------------|
G|-11-11-------------11--|--7-7---9-9---11-11-----------11-----x5--------|
D|-10-10-----------------|--7-7---9-9---10-10----------------------------|
A|-----------------------|-----------------------------------------------|
E|-----------------------|-----------------------------------------------|

Passive attraction, programmed reaction
More information, cash masturbation
Follow the pattern- the hemlines, the headlines
Action distraction,faster than fashion
Faster than fashion,faster than fashion


Then an occasional Metric trademark: finishing the song on the intro


F# (244322@1)             G (320003@1)    F# (244322@1)   Lonesome for no one when
F# (244322@1)             G (320003@1)    F# (244322@1)   The room was empty and
F# (244322@1)             G (320003@1)       F# (244322@1)   War as we knew it was obsolete
F# (244322@1)             G (320003@1)     B#m (strum slowly for full effect!)
    Nothing could beat complete denial

Thats it, comments/suggestions welcome


| /  slide up
|   slide down
| h  hammer-on
| p  pull-off
| ~  vibrato
| +  harmonic
| x  Mute note
===============================================================================

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