#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

ETERNITY HOLDS (Bassline)
As recorded by Nocturnal Rites
(From the 1999 Album THE SACRED TALISMAN)

Transcribed by Carlos Acosta (Geeko)
	

Words and Music by Nocturnal Rites

Gtr I (Eb Ab Db Gb) - 'Picked Bass'

 Intro
  Moderate Power Metal Q=153
 4/4
  Gtr I
  E E E E E E E E   E E E E E E E E   E E E E E E E E   +E  E a Q  E E E E
|-----------------|-----------------|-----------------|--------------------|
|-----------------|-----------------|---------------5-|-(5)---2h3--3-2-----|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|-----0----------3s2-|
|-----------------|-----------------|-----------------|--------------------|


  E E E E E E E E   E E E E E E E E   Q.   Q.   Q    +E  Q.   Q  Q
|-----------------|-----------------|--------------|----------------|
|-----------------|-----------------|--------------|----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|------0-------|----------------|
|-----------------|-----------------|-1---------3--|-(3)-0----3--3--|


 Verse
  $
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|---------------0-|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|
|-----------------|-----------------|-----------------|-----------------|


  +E  E E E E E E E   E E E E E E E E   +E  E E E E E E E   E E E Q.   E E
|-------------------|-----------------|-------------------|----------------|
|-(0)-0-0-0-0-0-0-0-|-0-0-0-0-0-------|-------------------|----------------|
|-------------------|-----------3-2---|-------------------|--------------0-|
|-------------------|---------------3-|-(3)-3-3-3-3-3-3-3-|-1-1-1-0----3---|


  +E  E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-------------------|-----------------|-----------------|-----------------|
|-------------------|-----------------|-----------------|---------------0-|
|-(0)-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|
|-------------------|-----------------|-----------------|-----------------|


  +E  E E E E E E E   E E E E E E E E   E E E E E E E E   E E E Q.   E E
|-------------------|-----------------|-----------------|----------------|
|-(0)-0-0-0-0-0-0-0-|-0-0-0-0-0-------|-----------------|----------------|
|-------------------|-----------3-2---|-----------------|----------------|
|-------------------|---------------3-|-3-3-3-3-3-3-3-3-|-1-1-1-0----3-1-|


 Pre-Chorus
  +E  E E E E E E E   +E  E E E E E E E   +E  E E E E E E E   E E E E E E E E
|-------------------|-------------------|-------------------|-----------------|
|-------------------|-------------------|-------------------|-----------------|
|-------------------|-------------------|-------------------|-----------------|
|-(1)-1-1-1-1-1-1-3-|-(3)-3-3-3-3-3-3-5-|-(5)-5-5-5-5-5-5-5-|-5-5-5-5-5-5-3-1-|


  +E  E E E E E E E   +E  E E E E E E E   +E  E E E E E E E   E q  q  Q.
|-------------------|-------------------|-------------------|--------------|
|-------------------|-------------------|-------------------|--------------|
|-------------------|-------------------|-------------------|--------------|
|-(1)-1-1-1-1-1-1-3-|-(3)-3-3-3-3-3-3-0-|-(0)-0-0-0-0-0-0-1-|---3--3--3----|


 Chorus
  $$
  E E E E E E E E   E E E E E E E E   E E E E E E E E   +E  E a Q  E E E E
|-----------------|-----------------|-----------------|---------------------|
|-----------------|-----------------|---------------5-|-(5)---2h3--3-2------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|-----0----------3s2--|
|-----------------|-----------------|-----------------|---------------------|


                                                             D.S.
  E E E E E E E E   E E E E E E E E   Q.   Q.   Q    +E  Q.   Q  Q
|-----------------|-----------------|--------------|----------------|
|-----------------|-----------------|--------------|----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|------0-------|----------------|
|-----------------|-----------------|-1---------3--|-(3)-0----3--3--|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   +E  E a Q  E E E E
|-----------------|-----------------|-----------------|---------------------|
|-----------------|-----------------|---------------5-|-(5)---2h3--3-2------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|-----0----------3s2--|
|-----------------|-----------------|-----------------|---------------------|


                                                          To Coda
  E E E E E E E E   E E E E E E E E   Q.   Q.   Q    +E  Q.   Q  Q
|-----------------|-----------------|--------------|----------------|
|-----------------|-----------------|--------------|----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|------0-------|----------------|
|-----------------|-----------------|-1---------3--|-(3)-0----3--3--|


 Guitar Solo
  W          +W           E E E E E E E E   E E E E E E E E
|----------|------------|-----------------|-----------------|
|----------|------------|-----------------|-----------------|
|-0--------|-(0)--------|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2s4-5-|
|----------|------------|-----------------|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-----------------|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|


  E E E E E E E E   E E E E E E E E
|-----------------|-----------------|
|-----------------|-----------------|
|-----------------|-----------------|
|-0-0-0-0-0-0-0-0-|-1-1-1-1-3-3-3-3-|


    Gtr I
    E E E E E E E E   E E E E E E E E   E E E E E E E E   +E  E E E E E E E
||------------------|-----------------|-----------------|--------------------|
||o-----------------|-----------------|-----------------|--------------------|
||o-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|---------------3-2--|
||------------------|-----------------|---------------3-|-(3)-1-1-0-1-0------|


  E E E E E E E E   E E E E E E E E   Q.   Q.   Q    +E  Q.   Q  Q
|-----------------|-----------------|--------------|-----------------||
|-----------------|-----------------|--------------|----------------o||
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|------0-------|----------------o||
|-----------------|-----------------|-1---------3--|-(3)-0----3--3---||


 Breakdown
  W          W          W          W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|


                                     D.S.S. al Coda
  W          W          Q.   Q.   Q    +E  Q.   Q  Q
|----------|----------|--------------|----------------|
|----------|----------|--------------|----------------|
|----------|----------|------0-------|----------------|
|----------|----------|-1---------3--|-(3)-0----3--3--|


 Outro
  &
  E E E E E E E E   E E E E E E E E   E E E E E E E E   +E  E a Q  E E E E
|-----------------|-----------------|-----------------|---------------------|
|-----------------|-----------------|---------------5-|-(5)---2h3--3-2------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0---|-----0----------3s2--|
|-----------------|-----------------|-----------------|---------------------|


  E E E E E E E E   E E E E E E E E   Q.   Q.   Q    +E  Q.   Q  Q
|-----------------|-----------------|--------------|----------------|
|-----------------|-----------------|--------------|----------------|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|------0-------|----------------|
|-----------------|-----------------|-1---------3--|-(3)-0----3--3--|


  E E E E E E E E   E E E E E E E E   Q.   E H
|-----------------|-----------------|-------------*|
|-----------------|-----------------|-------------*|
|-----------------|-----------------|-------------*|
|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-3-3-|-5\----------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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