#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## THE PIXIES 'Cecilia Ann' questions/comments to raellero@vela.acs.oakland.edu. send them pixies requests in! i just might do em. __________________ the bass follows the guitar parts pretty closely so there's not an extra clef for it. (wing it- you know kim did =) ). (amp sproing and feedback in key of E) | Em (022000@1) G (320003@1) B|___________________________________________________________ (x2444x@1)|___________________________________________________________ |.__________________________________________________________ |._____________________2_____2___5_____4___2____4___________ |_______3___2______2________________________________________ |___0_______0_______________________________________________ Am (x02210@1) B____________________________________________________________ (x2444x@1)____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ___0_________0__0_____0_____2____2__2_______________________ _________3__________________________________________________ Em (022000@1) G (320003@1) B___________________________________________________________ (x2444x@1)___________________________________________________________ ___________________________________________________________ ________________2_____2___5____4___2___4___________________ ___2___2____2______________________________________________ _______0___________________________________________________ Am (x02210@1) B (x2444x@1) Em_________________________________________________ (022000@1)_________________________________________________ _________________________________________________ _________________________________________________ ___0__________0____2___0_________________________ __________3________________3___2_____0___________ |1. | C (x32010@1) D (xx0232@1) Em (022000@1) C (x32010@1) D|___________________________________________________________________ (xx0232@1)|_____________0___________________________________0_________________ |____0_____2_____2_____0__________________0____2_____2____0___2_____ |_________________________4___2_____2_______________________________ |___________________________________________________________________ |___________________________________________________________________ Am (x02210@1) B__________________________________________________________________________| (x2444x@1)__________________________________________________________________________| ___4__4__4__4__2__2__2__2__0__0__0__0____________________________________.| _______________________________________4__4__4__4__4__4__4__4__0_____4___.| __________________________________________________________________________| __________________________________________________________________________| |2. | C (x32010@1) D (xx0232@1) Em (022000@1) C (x32010@1) D|________________________________________________________ (xx0232@1)|________________________________________________________ |___5____4____2___0___________5___4_____2____0___________ |_____________________2__________________________________ |________________________________________________________ |________________________________________________________ Am (x02210@1) B__________________________________________________________________________| (x2444x@1)__________________________________________________________________________| ___4__4__4__4__2__2__2__2__0__0__0__0____________________________________.| _______________________________________4__4__4__4__4__4__4__4__0_____4___.| __________________________________________________________________________| __________________________________________________________________________| (back to main verse, accent notes one octave higher) -- Roger Ellero In all history the only bright rays cutting raellero@vela.acs.oakland.edu through the gloom of oppression have come from Rochester, MI men who would rather get hurt than give in. From: raellero@vela.acs.oakland.edu (Roger Ellero) Date: 4 Jul 1993 12:03:59 -0400 Newsgroups: rec.music.makers.guitar.tablature,alt.guitar.tab Subject: * CECILIA ANN CORRECTION * damn! i made a mistake. that's what i get for posting at 2 am. here is the corrected measure as it should appear: Am (x02210@1) B__________________________________________________________________________| (x2444x@1)__________________________________________________________________________| ___4__4__4__4__2__2__2__2__0__0__0__0__________________________0_________.| _______________________________________4__4__4__4__4__4__4__4________4___.| __________________________________________________________________________| __________________________________________________________________________| the second to last note (the G under the B chord) originally appeared -- Roger Ellero In all history the only bright rays cutting raellero@vela.acs.oakland.edu through the gloom of oppression have come from Rochester, MI men who would rather get hurt than give in.
