LADY JANE (Bassline)

As recorded by The Rolling Stones
(From the 1966 Album AFTERMATH)

Words and Music by Mick Jagger & Keith Richards
Transcribed by Slowhand 


Gtr I (E A D G) - 'Bill Wyman - Bass'


 Intro
  Q=104
 4/4
  Gtr I
  W          W          W          W
|----------|-7--------|-7--------|-7----|
|----------|----------|----------|------|
|----------|-5--------|-5--------|-5----|
|----------|----------|----------|------|


  W          W          W          W
|-7--------|-7--------|-7--------|-7----|
|----------|----------|----------|------|
|-5--------|-5--------|-5--------|-5----|
|----------|----------|----------|------|


  W          W          W
|-7--------|-7--------|-7----||
|----------|----------|------||
|-5--------|-5--------|-5----||
|----------|----------|------||


   1st - 3rd Verses
    $
    W          W          W          W
||--5--------|-5--------|----------|-7----|
||o----------|----------|-5--------|------|
||o-3--------|-3--------|----------|-5----|
||-----------|----------|-3--------|------|


  W          W          W          W
|-5--------|-5--------|----------|-7----||
|----------|----------|-5--------|------||
|-3--------|-3--------|----------|-5----||
|----------|----------|-3--------|------||


 Bridge
  H.      Q    H.      Q    H.      Q    H.      Q
|------------|------------|------------|-------------|
|-6-------6--|-7-------7--|-4-------4--|-5-------5---|
|------------|------------|------------|-------------|
|-4-------4--|-5-------5--|-2-------2--|-3-------3---|


                           1.
                  To Coda
                           3/4       2/4    4/4
  H.      Q    H.      Q    H.        H      W          W
|-5-------5--|------------|---------|------|-7--------|-7-----||
|------------|-4-------4--|-7-------|------|----------|------o||
|-3-------3--|------------|---------|------|-5--------|-5----o||
|------------|-2-------2--|-5-------|------|----------|-------||


  2.
  W          W          W          W
|----------|-7--------|-7--------|-7----||
|-7--------|----------|----------|------||
|----------|-5--------|-5--------|-5----||
|-5--------|----------|----------|------||


 Interlude
  W          W          W          W
|-5--------|-5--------|----------|-7----|
|----------|----------|-5--------|------|
|-3--------|-3--------|----------|-5----|
|----------|----------|-3--------|------|


  W          W          W          W
|-5--------|-5--------|----------|-7----|
|----------|----------|-5--------|------|
|-3--------|-3--------|----------|-5----|
|----------|----------|-3--------|------|


  H.      Q    H.      Q    H.      Q    H.      Q
|------------|------------|------------|-------------|
|-6-------6--|-7-------7--|-4-------4--|-5-------5---|
|------------|------------|------------|-------------|
|-4-------4--|-5-------5--|-2-------2--|-3-------3---|


                                        D.S. al Coda
  H.      Q    H.      Q    W          W          W
|-5-------5--|------------|----------|-7--------|-7-----||
|------------|-4-------4--|-7--------|----------|-------||
|-3-------3--|------------|----------|-5--------|-5-----||
|------------|-2-------2--|-5--------|----------|-------||


  &
 3/4       2/4    4/4
  H.        W      W          +W
|---------|------|-7--------|-(7)----*|
|-7-------|------|----------|--------*|
|---------|------|-5--------|-(5)----*|
|-5-------|------|----------|--------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths