This is essentially the same as one of the other versions here. However, instead of putting in the actual chord names, I put the chord (shapes) relative to the capo. The capo is on the 4th fret. I figure it'd be easier to figure out. -------------------------------------------------------- E (022100@1)name="chord_x02220@1">A D (xx0232@1)name="chord_320003@1">G B (x2444x@1)name="chord_022100@1">E x 3 2 0 0 0 CM7x (x3131x@1)3 0 0 0 0 CM7sus2 x 3 2 0 3 3 Cadd90 (x32030@1)2 0 0 0 3 Em7 1 3 3 2 0 0 FM#11 x 0 2 0 1 3 Am7 (x02010@1) C (x32010@1) CM7Half (x3131x@1)forgotten things C (x32010@1) CM7 (x3131x@1) CM7sus2 Em (022000@1) FM#11 In the depths of time they lie C (x32010@1) CM7With (x3131x@1)significance C (x32010@1) CM7 (x3131x@1) CM7sus2 Em (022000@1) FM#11 FWaiting (133211@1)for the simplest sign of life C (x32010@1)name="chord_x3131x@1">CM7 See the evidence C (x32010@1) CM7 (x3131x@1) CM7sus2 Em (022000@1) FM#11 F (133211@1)That expense is part of life in time Cadd9 (x32030@1) Am7 (x02010@1) Em7 FM#11 FAlways (133211@1)worth it if only to realise Cadd9 (x32030@1) Am7 (x02010@1) Em7 FM#11 FNot (133211@1)always perfect but somehow deserving of time C (x32010@1)name="chord_x3131x@1">CM7 Disconnected things C (x32010@1) CM7 (x3131x@1) CM7sus2 Em (022000@1) FM#11 FYou (133211@1)exist within a kind of truth C (x32010@1) CM7 (x3131x@1) CM7sus2 Em (022000@1) FM#11 FAnd (133211@1)the consequence is a consummated trail of time Cadd9 (x32030@1) Am7 (x02010@1) Em7 FM#11 FAlways (133211@1)worth it if only to realise Cadd9 (x32030@1) Am7 (x02010@1) Em7 FM#11 FNot (133211@1)always perfect but somehow deserving of time G (320003@1) AmYou've (x02210@1)no way out, no path in GSet (320003@1)on paper, half in stone AmYou're (x02210@1)on your own Em (022000@1) FM#11 F (133211@1)Always worth it if only to realise Not always perfect but somehow deserving of time