RANDOM RULES

C5    E5       F5                                        C5
In 1984 I was hospitalized for approaching perfection. 
C5                  E5                F5                           C5
Slowly screwing my way across Europe, they had to make a correction. 
C5          E5                         F5                               C5
Broken and smokin' where the infrared deer plunge in the digital snake. 
C5                               E5               F5                               C5
I tell you, they make it so you can't shake hands when they make your hands shake. 

D5                F5
I know you like to line dance,
D5                            F5
Everythings so democratic and cool, 
D5               F5             C5
But baby there's no guidance when random rules. 


C5             E5                          F5                        C5
I know that a lot of what I say has been lifted off of men's room walls. 
C5           E5                          F5                                C5
Maybe I've crossed the wrong rivers and walked down all the wrong halls. 
C5               E5                      F5                      C5
But nothing can change the fact that we used to share a bed 
C5                 E5                    F5                       C5
and that's why it scared me so when you turned to me and said: 

D5                  F5
"Yeah, you look like someone 
D5                 F5
Yeah you look like someone who up and left me low. 
D5            F5          C5
Boy, you look like somene I used to know." 

[PLAY VERSE CHORDS DURING SOLO]

C5           E5              F5                        C5
I asked the painter why the roads are colored black.
C5                     E5                         
He said, "Steve, it's because people leave 
       F5                       C5
and no highway will bring them back." 
C5               E5         F5                  C5
So if you don't want me, I promise not to linger, 
C5                 E5                           F5                   C5
But before I go I gotta ask you dear about the tan line on your ring finger. 

D5                   F5
No one should have two lives,
D5              F5
now you know my middle names are wrong and right. 
D5                  F5    C5
Honey we've got two lives to give tonight.

---

SMITH & JONES FOREVER

A5            F5
Are you honest when no one's looking?
      A5                    F5
Can you summon honey from a telephone?
A5                        F5
They sat there with their hooks in the water 
A5                              E5
and their moustaches caked with airplane food.

  A5            
O come let us adore them
    F5
California overboard
         A5                                   F5
when the sun sets on the ghetto all the broken stuff gets cold.


          G5    A5
Smith and Jones forever!
          G5    A5
Smith and Jones forever!
          G5     A5       F5        A5         F5
Smith and Jones forever together forever and ever.
  A5      F5           A5
Together, forever and ever


A5           F5
Build a stage for Autumn's bitch.
A5                      F5
They walk the alleys in duct tape shoes.
A5                                        F5
They see the things they need through the windows of a hatchback
A5                                   E5
The alleys are the footnotes of the avenues.

  A5                     
o come let us adore them
    F5                     
California overboard
A5                              F5
holding up their trousers with extension cords.


          G5    A5
Smith and Jones forever!
          G5    A5
Smith and Jones forever!
          G5     A5       F5        A5         F5
Smith and Jones forever together forever and ever.
  A5      F5           A5
Together, forever and ever

A5

 
A5                          F5
I've got two tickets to a midnight execution.
A5                           F5
We'll hitchhike our way from Odessa to Houston
A5                         F5
and when they turn on the chair
                         A5
something's added to the air
                      F5
when they turn on the chair
                         G5   A5
something's added to the air forever

          G5    A5
Smith and Jones forever!
          G5     A5       F5        A5         F5
Smith and Jones forever together forever and ever.
  A5      F5           A5
Together, forever and ever.

---

NIGHT SOCIETY

I'm not going to get too deep with this one, it's just riffs and whatnot over this progression:

C5 D5 E5 D5 C5 

And you hold the last C. If somebody wants to tab it, go ahead, but I can't really 
imagine too many people being pissed that they miss out on playing this one.

---

FEDERAL DUST

(slide up to A5 , then G5 )

Bass riff (I just play it on guitar):


 | ------------- | ------------- | 
 | ------------- | --------2---- | 
 | --------2-4-- | ----------4-- | 
 | --0-2h4------ | --0-2h4------ |  repeat as necessary


C#5        F#5  Bb5              E5           C#5
They don't walk, and they don't talk in Malibu.
F#5         B5     Eb5             A5
They don't vote, they don't even smoke
              E5
I know you're blue...
              F#5
I know you're blue...
              C#5
I know you're blue.

BASS RIFF

C#5        F#5  Bb5              E5               C#5
They don't cream and they don't dream in Kansas City.
F#5         B5           Eb5               A5
They don't crack, they don't, they never act
                E5
I know you're ready...
                F#5
I know you're ready...
              C#5
I know you're ready.

SOLO OVER VERSE CHORDS

C#5        F#5 Bb5              E5              C#5
They don't cry, and they don't die in South Dakota.
F#5         B5         Eb5        A5               E5
They don't match and they don't hatch in South Dakota.
          F#5
In South Dakota
               C#5
Here comes the coda:

C#5  A5
Not much
E5            F#5        A5 
water coming over the hill...      
    F#5
Not much
     A5
Not much
    C#5
Not much.

With the verses in this song whenever the Bbm is played there tends to be a 
hammering on between a Bbmsus2 and the Bbm. If you know what that means, good. If 
you don't, well, it's not really that important.

---

PEOPLE

The verse E7M in this song is played as this: xxx444

VERSE

A5 - E5
Moments can be monuments to you
If your life is interesting and true.
It's just the same for a man or a girl,
The meaning of the world lies outside thw world.

People love people and they understand
if you wanna renovate your background mind
(a federal woman needs a municipal man)
people gotta synchronize to animal time.

E5         B5        
You can't change the feeling
            E5                    B5                     E5
but you can change your feelings about the feeling in a second or two...
    B5
Ahhh
(hold B5 )           E5
People always come around.

E5                B5                   E5
I'm studying the ceiling on a little afternoon
    B5              E5 
and when I paint my dining room
     B5
Ahhhh
                   E5                 
people gonna come around.


A5 - E5
I love to see a rainbow from a garden hose
lit up like the blood of a centerfold
I love the city and the city rain,
suburban kids with biblical names.

People ask people to watch their scotch.
People send people up to the moon.
When they return, well there isn't much.
People be careful not to crest too soon.

E5               B5                              E5
The drums march along at the clip of an I.V. drip
     B5                            E5   
like sparks from a muffler dragged down the strip.
    B5
Ahhh
                          E5
I really hope you'll come around.

E5              B5     E5                B5      
It's sunny and 75. It feels so good to be alive.
E5                  B5      
come on baby don't stay inside.
                   E5
Everybody's coming out tonight.      

And repeat the verse chords.

---

BLUE ARRANGEMENTS

UNUSUAL CHORDS:
Eb5 *: x6780x
B5 *: x24445
B5 :x2434x

B5                    B5                          B5
I see you gracefully swimming with the country club women
E5                                  C#5    B5
in the Greenwood southside society pool.
A5                                  E5
I love your amethyst eyes and your protestant thighs
         B5                 F#5
you're a shimmering socialite jewel.

B5               B5          B5
From the Carbon Dioxide Riding Academy
E5                  B5                           C#5    B5
to the children's crusade marching through the downtown.
A5                                          E5
Well I think I'd die see, if you just said hi to me.
               B5                            F#5
When something breaks it makes a beautiful sound.

E5
Sometimes I feel like I'm watching the world
and the world isn't watching me back.
But when I see you, I know I'm in it too.
               B5
The waves come in and the waves go back.
E5
The kids in the corner all covered in dirt.
Caught trespassing under the moon.
My father came in from wherever he'd been
              B5
and kicked my shit all over the room.

             A5
All over the room
             E5
All over the room.

B5     Eb5 *   A5    A5    E5

    E5                           Eb5 *
The room is dark and heavy with what I want to say.
      A5                                      E5
I see murals in the radio static and on your blue blue jeans.
B5 *                                       Eb5 *
What would you say if I asked you to run away?
          A5                           E5
It's been done so many times I hardly know what it means.

REPEAT THIS PROGRESSION OVER SOLO


  E5                                Eb5 *
I took these blue arrangements and threw them in the sea
     A5                            E5
when older waves from older caves brought them back to me.
  B5 *                               Eb5 *
I took these blue arrangements and stored them on a shelf.
     A5                                                                       
With change on the mantle and time in a candle,
             E5
in the end a boy raises himself.      


REPEAT PROGRESSION OVER SOLO

---

WE ARE REAL

UNUSUAL CHORDS:
F#5 : 2x0212

C5                G5           C5                 F5
Up the hill past 694, at the stone wall make a left,
    C5              G5                       F5            G5       C5
and I will see you soon my friend if these old directions still direct.
    G5
Oh yeah
         F5             G5      C5 
If these old directions still direct.
C5                      G5            C5                         F5
Is the problem that we can't see or is it that the problem is beautiful to me?
C5                         G5                                  
The birds of Virginia are flying within you
     F5              G5            C5
and like background singers they all come in threes.
    F5               G5            C5
And like background singers they all come in threes.

D5
Won't soul music change
C5                              C5
now that our souls have turned strange.
F5           F#5
Once a day, twice a day...
D5
And when on and off collide
C5             C5              F5
we'll set our souls aside and walk away.

A5                                D5
We've been raised on replicas of fake and winding roads
    G5 
and day after day up on this beautiful stage
           E5
we've been playing tambourine for minimum wage
           A5       
but we are real, 
       E5
We are real,
              A5
I know we are real.

C5             G5    C5              F5
Repair is the dream of the broken thing.
       C5                       G5
Like a message broadcast on an overpass
F5               G5                C5
all my favorite singers couldn't sing.
F5                G5               C5
All my favorite singers couldn't sing.

C5               G5                               C5                        
My ski vest has buttons like convenience store mirrors
                 F5
and they help me see, 
     C5                  G5       
that everything in this room right now 
F5    G5       C5
is a part of me.
F5    G5       C5
is a part of me.

D5
Won't soul music change
C5                               C5
now that our souls have turned strange.
F5           F#5
Once a day, twice a day...
D5
And when on and off collide
C5             C5              F5
we'll set our souls aside and walk away.

A5                         D5
Realizing is how it feels inside when it happens to you.
     G5                    
So I took a shot of sugar like snow dumped into the blood
    E5
and children wander off into the ultra-economic
             A5
but we are real,
       E5
We are real      
              A5                                              E5
I know we are real, real, real, real, real, real, real, real, real...
              A5
I know we are real.

---

SEND IN THE CLOUDS

            E5 (chromatic runup)   G5
Send in the clouds. Bring down the rain.
             D5                    C5
Shut all the blinds, turn out the lights:
         G5             D5         C5
I feel insane when you get in my bed.
         E5                            G5
I am the trick my mother played on the world
          D5                C5
Seventeen doctors couldn't decide
        G5           D5              C5
whether I should be allowed in the game.

C5 - C5         Am4 - A5

F5                  C5                D5
Why can't monsters get along with other monsters?
      A5             E5             A5
Soi disantra, soi disantra, soi disantra.

         E5                    G5
I know a puppy who walked form Kentucky.
        D5                C5
Made to East Virginia by dawn.
        G5         D5           C5
He had seventeen ideas in his head.

E5                                     G5
Windex tears flow down the robot's face. He never felt a mother's embrace.
         D5                C5
My momma named me after a king.
          G5       D5       C5
I'm gonna bury my name in you.

C5 - C5         Am4 - A5

F5                  C5                D5
Why can't monsters get along with other monsters?
      A5              E5               
Soi disantra, soi disantra...      
           A5
they don't wanta.

C5      ( C5 , C#5 )         D5                A5
Why can't monsters get along with other monsters?
F5             D5          A5
Soi disantra, soi disantra, ohh
F5             D5         A5
Soi disantra, soi disantra, whoa!


Repeat.

---

LIKE LIKE THE THE THE DEATH

B5        E5
Like like the the the death
G5                         C5
Air crickets air crickets air crickets air crickets air

                 F5    G5
Mother and child with magazine
              F5  C5
Into a story, into a dream
                       F5      G5
Why is there something instead of nothing
                            F5    C5
And how is the asking built into the hunting?

G5        A5           C5
Do you believe in MGM endings?
G5                  A5                    C5
Everybody's coming back to Christmas for Texas
G5                                 A5                  
Folks who've watched their mother kill an animal know
           C5
That their home is surrounded by places to go
G5                 A5                   C5
(and the west has made a deal with the sun).

B5         E5
My life at home very day:
         G5                        C5
Drinking Coke in a kitchen with a dog
Who doesn't know his name.
B5           E5
Oh right it could've been anyone
G5                           C5
Grass rabbits grass rabbits grass rabbits grass rabbits grass
 
             F5       G5
Nobody cares about a dead hooker
                  F5        C5
Looking like one, standing for money
                          F5       G5
Life finds a limit at the edge of our bodies
                  F5      C5
A stranger begins wherever I see her.

G5                    A5                   C5
Let's live where the indoors and outdoors meet
G5                   A5               C5
All the kids in the commonwealth are free.
G5                    A5                           C5
Every morning you forgive me, every evening you relive me
And the pattern itself is what you give me
G5                A5                  C5
(the morning has cut a deal with the east).


B5        E5
Like like the the the death
G5                         C5
Air crickets air crickets air crickets air crickets air      

---

BUCKINGHAM RABBIT

G5                  F5         E5
Back then I had a Buckingham rabbit.
I'd been lonely since she found Christ.
Now is the time to depend on the law:
    D5                         E5
the nights of my professional life.

G5                 F5          E5
I was living in a very young city.
Grand piano, great lakes, good-bye.
If you ask me my name, it's high-low-jack in the game.
      D5                         E5
I can track a single bee to the hive.

      G5      F5          E5
Every single game was a blowout.
And the Nascar blurred into porn.
Scenic this, scenic that,
don't fall for the traps 
       D5                 E5
Of the man who was never born.

F5                  A5
And so the rent became whiskey,
F5                    A5
and then my life became risky:
F5                   A5
And so the rent became whiskey (whiskeyyeyey),
F5                 A5
shattered dogs on the rocks.

G5                  F5             E5
At the back of the bar there's a couch
where the lonely people go and lie.
They talk to the honky tonk psychiatrist
         D5                E5
into the wee hours of the night.

G5                F5       E5
The factories on muscle relaxers.
The pine perfume of hilltown floors.
The lover, the thinker, the talker, the singer
         D5             E5
won't be lucid for her anymore.

F5                  A5
And so the rent became whiskey,
F5                    A5
and then my life became risky:
F5                  A5
And so the rent became whiskey (whiskeyyeyey),
F5                  A5
shattered dogs on the rocks.

SOLO OVER CHORUS CHORDS

G5                   F5           E5
When you know how I feel I feel better
When you're 15 you want to look poor.
Do unto others, and run like a mother
        D5                 E5
I don't want to look poor anymore


G5          F5       E5
Jesus in a runaway shelter,
said "The deaf have pictures of you."
From the digital fountains to the analog mountains,
        D5                  E5
let the mirrow express the room.      


---

HONK IF YOU'RE LONELY

D5      
Radio's on, feeling all right
E5
Cruising the strip on a Saturday night.
G5
I smile and I wave and I hide all my pain
                          D5
but the sign on my bumper gives me away:

G5              A5      D5
Honk if you're lonely tonight
G5                       D5
If you need a friend to get through the night
G5                      D5
A toot on your horn, a flash of your brights
G5              A5      D5
Honk if you're lonely tonight.

(verse chords)
I know honky-tonk where we can go.
A booth in the back with the lights way down low.
The jukebox is playing a sad melody
for heart-broken lovers like you and me.

We'll laugh and we'll flirt and we'll dance every dance
and before the night's over we'll take a chance.
The morning will find us with a smile on our face
and we'll be together in a lover's embrace.

G5              A5      D5
Honk if you're lonely tonight
G5                       D5
If you need a friend to get through the night
G5                      D5
A toot on your horn, a flash of your brights
G5               A5     D5
Honk if you're lonely tonight.

(verse chords)
I know it seems sad to be so damn blue
but there's always the chance that you'll meet someone new.
I know that somewhere waiting for me
is a sad lonely lover with a bumper that reads:

G5             A5       D5
Honk if you're lonely tonight
G5                       D5
If you need a friend to get through the night
G5                      D5
A toot on your horn, a flash of your brights
G5              A5      D5
Honk if you're lonely tonight.

---

THE WILD KINDNESS

E5 // C5 // C5 // E5

E5                    C5
I wrote a letter to a wildflower
C5                     E5
on a classic nitrogen afternoon.
E5                     C5
Some power that hardly looked like power
C5                            G5
said I'm perfect in an empty room.

                  D5
Four dogs in the distance
                   A5
each stands for a kindness.
                       C5
Bluebirds lodged in an evergreen altar...
          G5               D5     A5
I'm gonna shine out in the wild silence
              C5
and spurn the sin of giving in.

E5               C5
Oil paintings of x-rated picnics.
C5                                  E5
Behind the walls of medication I'm free.
E5              C5
Every leaf in a compact mirror
C5                           G5
hits a target that we can't see.

                   D5
Grass grows in the icebox.
                          A5
The year ends in the next room
                     C5
It is autumn and my camouflage is dying
          G5           D5        A5
instead of time there will be lateness
            G5         D5        A5
instead of time there will be lateness
           G5          D5       A5
instead of time there will be lateness
        C5
and let forever be delayed.

SOLO OVER VERSE AND CHORUS CHORDS

E5                  C5
I dyed my hair in a motel void
C5                             E5
met the coroner at Dreamgate Frontier
E5                          C5
He took may hand said I'll help you boy
C5                      G5
ff you really want to disappear

                  D5
Four dogs in the distance
                  A5
each stands for a silence.
                        C5
Bluebirds lodged in an evergreen altar...
           G5               D5    A5
I'm gonna shine out in the wild kindness
          G5                D5    A5
I'm gonna shine out in the wild kindness
          G5                 D5    A5
I'm gonna shine out in the wild kindness
             C5
and hold the world to its word.      



Aaaand finish on a Bm.
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