#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # Tabbed by Brian McCall (Ansigod)8 - by Sunny Day Real Estate = written by Jeremy Enigk and Daniel Hoerner Tuning: standard, capo 3rd fret. Note: tabbed sandard, (sometimes I'll tab capoed songs as if the capoed fret is an open string. Say I capo the third fret, I'd tab the thrid fret to be a 0 and the 4th fret to be a 1. Such is not the case on this tab.) just a little note to quell confusion. *1 Intro G1 (doubled by G2) slight reverb, otherwise clean V V V V V V V |-----12-12-----12-12----12-0------11-11-----11-11----11-0------12-12--| |-13--13--------13-------13-13-----13--------13-------13-13-----13-----| |-12--12--------12-------12-12-----12----12--12-------12-12-----12-----| |-X--------------------------------------X-----------------------------| |-3---------3-3-------3--------3-3-------3-3-------3--------3-3--------| |----------------------------------------------------------------------|.. ^repeat *2 G1 Distortion |---------------------------------------------------------------------| |---------------------------------------------------------------------| |-9-\-5----12-10-9--10-9--7--9-\-5----12-10-9--10-9--7--9-------------| |-X---5----X--X--X--X--X--X--X---5----X--X--X--X--X--X--X-------------| |-7-\-3----10-8--7--8--7--5--7-\-3----10-8--7--8--7--5--7...----------| |---------------------------------------------------------------------| G2 |----------3-----3-----3--3-------------------------------------------| |----------4-----4-----4--4-------------------------------------------| |-5---5-5--3-----3-----3--3-------------------------------------------| |-5---5-5--5-----5-----5--5-------------------------------------------| |-3---3-3--6-----6-----6--6-------------------------------------------| |---------------------------------------------------------------------| ^repeat *3 Verse G1 pm-------------------------------------------------------------------|.. |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| |-3-3-3-3---3-3-3-3---3-3-3-3-6-6-6-6---6-6-6-6---6-6-6-6-3-3-3-3...---| |----------------------------------------------------------------------| ^repeat G2 |---------12----12------------11----11------------12----12------------| |------13----13----13------13----13----13------13----13----13---12...-| |---12------------------12------------------12------------------------| |---------------------------------------------------------------------| |-3-------------------3-------------------3-------------------3-------| |---------------------------------------------------------------------| ^repeat repeat *2 for chorus repeat verse repeat chorus *4 G1 |---------------------------------------------------------------------| |----------6----------------------------------------------------------| |------4---5----------8----------7------------------------------------| |-5----5---3----------8----------7------------------------------------| |-5----5---3----------6----------5------------------------------------| |-3----3--------------------------------------------------------------| G2 |---------------------------------------------------------------------| |---------------------------------------------------------------------| |------4---10-10-10---12-12-12----14-14-14----------------------------| |-5----5---X--X--X----X--X--X-----X--X--X-----------------------------| |-5----5---8--8--8----10-10-10----12-12-12----------------------------| |-3----3--------------------------------------------------------------| ^repeat End with several G#s |466544| Note: If you've seen my tabs before you know how I hate to tab rhythm strums. Same rule applies to this tab, so please understand that I've tabbed this based on accuracy of notes and chords, not rhythm and number of strums. *5 Feedback verse To get the desired feedback of the first note leave the A open, then try these octave chords: |X7X9XX| and |X8X10XX|. Add G1's palm muting the second time around. repeat chorus repeat *4 end of G# Inspiration to write this tab came from some mental corrections to Michael Hoover's (mth119@psu.edu) tab, so in the process of correcting his tab I decided to just write my own and submit it to him to see what he wanted to do with it. Until we negotiate and decide which tab to post; this one with credit to him, or his original, corrected with parts of this tab with credits to me. Thanks Michael.