Every chord in this song has exactly four strings in it.  Play each chord as
an arpeggio of six sixteenth notes (each chord is half of a 12/16 measure.)
Here's an example:

 A      G5          C5       B5
 | ------------------------ | ------------------------ | 
 | ------0-----------0----- | ------0-----------0----- | 
 | ----6---6-------4---4--- | ----(b9)--(b9)------7---7--- | 
 | --7-------7---5-------5- | --(b9)------(b9)--7-------7- | 
 | 7-----------5----------- | ------------------------ | 
 | ------------------------ | 8-----------7----------- | 


A: x7760x    G5 : x5540x       C5 : 8x990x     B5 : 7x770x
A5 : 5x550x       G5 : 3x000x         G5 : 1x000x       E5 : 0x220x
E5 : x2220x   F#m7(4): 2x220x   G6(9): 3x220x     Asus9: x0220x
C#5 : x4x440      B: 2xx440   E5 : 4xx440  Asus9(#4): x0x440
D6(9): x5x400     A: x4x200


A  G5  C5  B5  A5  G5  G5  G5
[intro]

A  G5           C5            B5        A5  G5  G5  G5
  If    language were liquid, it would be rushing in
A  G5       C5     B5          A5           G5              G5   G5
  Instead here we are, in a silence more eloquent than any word could ever be
A  G5           C5             B5        A5   G5  G5  G5
 These  words are too solid, they don't move fast enough
A  G5           C5       B5        A5     G5       G5  G5
         To catch the blur in the brain that flies by and is gone
       E5  E5  E5  E5       F#m7(4)  F#m7(4)  G6(9)  G6(9)
And is gone,                         and is gone,             gone,
 F#m7(4)  F#m7(4)  G6(9)  G6(9)       Asus9  Asus9  Asus9  Asus9
Gone,              gone,       and is gone

I'd like to meet you in a timeless, placeless place
Somewhere out of context and beyond all consequences
Let's go back to the building on Little West 12th; it is not far away and
   the river is there  (Words are too solid, they don't move fast enough)
And the sun and the spaces are all laying low, and we'll sit in the slience
   that comes rushing in  (To catch the blur in the brain that flies by...)
And is gone, and is gone, gone,
Gone, gone, and is gone

C#5  C#5  B5  B5  E5  E5  Asus9(#4)  Asus9(#4)
[instrumental]
C#5  C#5  B5  B5  E5  E5  Asus9(#4)  Asus9(#4)
[instrumental]
C#5  C#5  D6(9)  D6(9)  A5  A  D6(9)  D6(9)
[instrumental]
A  G5  C5  B5
[instrumental]

I won't use words again, they don't mean that I meant, they don't say
   what I said
It's just the crust of the meaning with realms underneath, never touched,
   never stirred, never even moved through
If language were liquid, it would be rushing in
A  G5       C5    B5          A5           G5              G5   G5
  Instead here we are in a silence more eloquent than any word could ever be
E5  E5  E5  E5       F#m7(4)  F#m7(4)  G6(9)  G6(9)
                              And is gone,             gone,
F#m7(4)  F#m7(4)  G6(9)  G6(9)       Asus9  Asus9  Asus9  Asus9
Gone,             gone,       and is gone          [repeat and fade]
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