----------------------- Tina Dico - Sacre Coeur ----------------------- Tuning is G#D#G#C#D#G# which is DADGAD with Capo at 6th fret (sometimes she also plays it at 7th fret). There are different versions of this song played live. Would have never figured it out if there weren?t a version available where she tunes her guitar. Chords (nevermind their names, they?re more or less randomly just to give them a name). Note the muted strings (x) for strummed chords. E* x12000 Ab5 (133xxx@4) 000200 Gb* x32000 Ab7sus4 (xx1122@1) x30000 Abm* x53000 Emaj7(no5) x10x00 Abm*/G# 053000 DbmAdd9 x10000 Abm*/C# 553000 Ebsus4 002x00 Amaj7(b5) x60000 Absus4 (xx1124@1) x50000 (sometimes maybe 550000) ----- Verse ----- This is the general picking during the verses: p p p p |----------------|----------------| |--0------0~----0|--0------0~----0| h = hammer on |---0-------0--0-|---0-------0--0-| p = pull off |----20~-----20--|----30~-----30--| ~ = let ring |1~-----3~-------|5~-----5~-------| |----------------|----------------| E* Gb* Abm* Note that within this tab each column or character represents a 16th note to give you the rythm and that for example "20~" along with the "p" means to hit the 2 for one 16th, then pull off to 0 andlet it ring for additional two 16th. This progression is varied from time to time, for example to something like this: p p p p p p p p |----------------|----------------| |----------------|----------------| |--0------0~----0|---------0~----0| |---------0~----0|---------------0| |---0-------0--0-|-----------0--0-| or this |-----------0--0-|--------------0-| |----20~-----20--|----30~-----30--| |----20~-----20--|----30~-----30--| |1~-----3~-------|5~5~---5~-------| |1~~----3~-------|5~5~---5~5~5----| |----------------|----------------| |----------------|----------------| E* Gb* Abm* E* Gb* Abm* or this: p p p pp p p p p |----------------|----------------| |----------------|----------------| |--0------0~----0|--0------0~-----| |--0------0~----0|--0------0~-----| |---0-------0--0-|---0-------0----| or this |---0-------0--0-|---0-------0----| |----20~-----20--|----30~-----320~| |----20~-----20--|----30~-----30--| |1~-----3~-------|5~-----5~-------| |1~-----3~-------|5~-----5~-----5~| |----------------|----------------| |----------------|----------------| E* Gb* Abm* E* Gb* Abm* You can also play other combinations of these pattern. Just get the rythm and play with it. Sometimes (2. verse) she hits the empty lowest (6th) string hard with her thumb along the first "5~" in this pattern to give it an accent: p p p p |----------------|----------------| |--0------0~----0|--0------0~----0| |---0-------0--0-|---0-------0--0-| |----20~-----20--|----30~-----30--| |1~-----3~-------|5~~----5~-------| |----------------|0~~~~~~~~-------| E* Gb* Abm*/G# Or reduce this pattern to single bass notes on 4th and 5th string (3. verse). If you can sing like her you can also just stop playing guitar at all and just sing ;-) At the beginning or in some versions, where she does a short break between the verses, at the beginning of each verse she hammers on the first note: h (x2444x@1) p p h (x2444x@1) p p p p |----------------|...|----------------|----------------|----------------|----------------|...| |--0------0~----0|...|----------------|----------------|--0------0~----0|--0------0~----0|...| |---0-------0--0-|...|----------------|----------------|---0-------0--0-|---0-------0--0-|...| |----20~-----20--|...|----------------|----------------|----20~-----20--|----30~-----30--|...| 0|1~-----3~-------|...|5~~~~~----------|---------------0|1~-----3~-------|5~-----5~-------|...| |----------------|...|----------------|----------------|----------------|----------------|...| E* Gb* Abm* E* Gb* Abm* Without the break it can look like this: h (x2444x@1) p p p p h (x2444x@1) p p p p |----------------|...|----------------|----------------|----------------|...| |--0------0~----0|...|--0------0~-----|--0------0~----0|--0------0~----0|...| |---0-------0--0-|...|---0-------0----|---0-------0--0-|---0-------0--0-|...| |----20~-----20--|...|----30~-----30--|----20~-----20--|----30~-----30--|...| 0|1~-----3~-------|...|5~-----5~-----0~|1~-----3~-------|5~-----5~-------|...| |----------------|...|----------------|----------------|----------------|...| E* Gb* Abm* E* Gb* Abm* The last time time she plays this pattern before the refrain she uses a C# as a bass note: p p p |----------------|----------------| |--0------0~----0|----------------| |---0-------0--0-|----------------| |----20~-----20--|----30~---------| |1~-----3~-------|5~~~---5~~~~~---| |----------------|5~~~---5~~~~~---| E* Gb* Abm*/C# ------- Refrain ------- For the refrain there are two different versions as it can be picked or strummed. Let?s deal with the picked version first. It is build around the same chords just in another order. p p pp p p p pp p |----------------|----------------| |----------------|----------------| |--0------0~----0|--0------0~----0| |--0------0~-----|--0------0~-----| |---0-------0--0-|---0-------0--0-| or |---0-------0----|---0-------0----| |----30~-----20--|----320-----20--| |----30~-----20--|----320-----20--| |5~-----3~-------|1~~----3~-------| |5~-----3~-----3~|1~~----3~-----3~| |----------------|----------------| |----------------|----------------| Abm* Gb* E* Gb* Abm* Gb* E* Gb* Both variants are interchangeble, so you might also play the first bar of the first version with the second bar of the second version and vice versa. This pattern is played twice until "haunted" and then it continuous with: pp p p p p switch to bass note picking It's all there if I want it Emaj7(no5) Ab7sus4 (xx1122@1) But the sad thing is Absus4 (xx1124@1) Emaj7(no5) I don't know which I prefer Ab7sus4 (xx1122@1) Abm* (refrain picking) As I sit here and watch the sun set on Sacre Coeur Gb* E* Gb* Abm* Gb* E* Gb* oooohhhooo ohhooohooohh Abm* Gb* E* Gb* Yeahhh.... *Didndai* Abm* Gb* E* Gb* *Didndai* Abm* *Didndai* - Outro - ----------------------------------------------------------------------------------- Tabbed in January 2012. Hope you enjoy it. Joern Send any corrections or comments to: MCWZQQGXYUHK@spammotel.com
