634-5789 (SOULSVILLE, U.S.A.) (Bassline)

As recorded by Wilson Pickett
(From the 1966 Album THE EXCITING WILSON PICKETT)

Words and Music by Eddie Floyd & Steve Cropper
Transcribed by Slowhand

Gtr I (E A D G) - 'Donald "Duck" Dunn - Bass                '


 Intro
  Q=106(8=s8)
 4/4
  Gtr I
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  E E Q
|-------------|-------------|-------------|--------------||
|-------------|-------------|-------------|--------------||
|-5--7--5--7--|-5--7--5--7--|-5--7--5--7--|-5--7--5------||
|-------------|-------------|-------------|---------5-7--||


   1st - 3rd Verses
    $
    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
||-----4--------|-------------|----4--------|----4--------|
||o-------7--4--|----2--------|-------7--4--|-------7--4--|
||o-5-----------|-------5--2--|-5-----------|-5-----------|
||--------------|-3-----------|-------------|-------------|


  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|----4--------|-------------|----4--------|----4---------||
|-------7--4--|----2--------|-------7--4--|-------7--4---||
|-5-----------|-------5--2--|-5-----------|-5------------||
|-------------|-3-----------|-------------|--------------||


 Pre-Chorus
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|--------------||
|----4--------|----2--------|----4--------|----2---------||
|-------7--4--|-------5--2--|-------7--4--|-------5--2---||
|-5-----------|-3-----------|-5-----------|-3------------||


 Chorus
                                           1.
                                  To Coda
  Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------|-------------|-------------|---------------||
|----4--------|----4--------|----4--------|----4---------o||
|-------7--4--|-------7--4--|-------7--4--|-------7--4---o||
|-5-----------|-5-----------|-5-----------|-5-------------||


                Bridge
  2.
  Q  Q  Q  Q     Q  E E E E E E   Q  E E E E E E   Q  E E E E E E
|-------------||----------------|----------------|-----------------|
|----4--------||----4-4---------|----4-4---------|----4-4----------|
|-------7--4--||--------7-7-5-5-|--------7-7-5-5-|--------7-7-4-4--|
|-5-----------||-7--------------|-7--------------|-5---------------|


  E E E E E E E E   Q  E E E E E E   E E E E E E E E   Q  Q  Q  Q
|-----------------|----------------|-----------------|--------------|
|-----4-4-2-2-----|----2-2---------|-----2-2---------|----4---------|
|-------------4-4-|--------5-5-2-2-|---------5-5-2-2-|-------7--4---|
|-5-5-------------|-3--------------|-3-3-------------|-5------------|


                Interlude
  Q  Q  Q  Q     Q  Q  Q  Q    Q  Q  Q  Q    Q  Q  Q  Q
|-------------||-------------|-------------|--------------|
|----4--------||-------------|-------------|--------------|
|-------7--4--||-5--7--5--7--|-5--7--5--7--|-5--7--5--7---|
|-5-----------||-------------|-------------|--------------|


                                 Out-Chorus
  D.S. al Coda &
  Q  Q  E E Q     Q  Q  Q  Q      Q  Q  Q  Q    Q  Q  Q  Q   6x
|--------------||-------------||-----5--------|----5---------||
|--------------||----4--------||o-------8--5--|-------8--5--o||
|-5--7--5------||-------7--4--||o-6-----------|-6-----------o||
|---------5-7--||-5-----------||--------------|--------------||


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
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