#----------------------------------PLEASE NOTE-------------------------------#
#This file is the author's own work and represents my interpretation of the  #
#song. You may only use this file for private study, scholarship, or research#
#----------------------------------------------------------------------------#

Title: Vilanella
           Author: Wojciech (Adalbert) Dlugoraj (1557/8-1619 Poland/Renaissance)
   Transcribed by: Adam Guzowski (guitarra@poczta.fm)
             Date: 19-XI-2001
Other corrections: (...are welcome)

1) Guitar tuning: (dropped D) DAGDBE

2) General Info: Lots of people recognise Poland from Chopin or Tansman.
                 But we've also got abig (x02210@1)legacy of old lute music -
                 Wojciech Dlugoraj, Jakub Polak, and Jan z Lublina.
                 These three composers were well-known all over Europe,
                 but after World War II, lots of their work was lost
                 or was just stolen ... sad but true.
                 Try to play the chords with soft arpeggio - it sounds better.
                 1st part play once, 2nd twice, but with different endings

3) Tabulature info: Timing : 4/4 (aprox. 50/60 bpm)

1st part

E||---5--5-5-5--7--5--5---2----|--2--2-2-3--2--0-3-2-0------|
B||---7--7-7-7--8--7--5-8-3----|--3--3-3-3--3--0-------3----|
G||---7--7-7-7--7--7--6---2----|--2--2-2-4--2--0-------4----|
D||-------------5--0------0----|--0--0-0-5--0--2-------4----|
A||-------------------0--------|-----------------------2----|
D||----------------------------|----------------------------|



--2--0---------------------|-------------------------------||
--3--2--3--0--3---3--3--2--|--3------------------3---------||
--2--2--4--2--4------2-----|--2----0-2p0h2p0---------------||
--0-----4--4--5---4--2-----|--0--4-----------4-2-0---------||
-----0--2-------0-2--0-----|-------------------------------||
-----------4--5------------|--0----------------------------||

2nd part

---2--------0-----------|--0----0--0-0-----0--0-----|
---3--------0--3--0--0--|--2----2--2-2-3---2--0-----|
*--2--------1--2--2-----|--2---------------2--2--0--|
*--0--------2--4--2-----|--------------4-6----2-----|
------------------------|--0------------------------|
------------------------|---------------------------|



--0----0--0-0-2--0--2-------|--3-------2----5---3-2--0--|
--2----2--2-2-3--2--3-------|--3-------3----------0-----|
--2----2--2-2-2--2--2-------|--4-------2-------------2--|
--------------0-----0-------|----------0----------------|
--0----0--0-0----0----4-2-0-|----0-2-3----------0-2--4--|
----------------------------|--5------------------------|

1st           2nd ending
--2--0-----0----------------------||-------------------||
--3----3-2---3-2-0-2-3---3---2----||--3----------------||
--2------2-----------0---------0-*||--2----------------||
--0--------------------4-2-0-2---*||--4----------------||
---------0-----------2---2---0----||--5----------------||
-----5---------0-4----------------||--0----------------||
           [see comments]

*********************************************************

comments (weed@wussu.com - 24 Nov 2001)
-----------------------------------------

this measure is as the MIDI but it sounds better if the
D and the F# (6th string, open and 4th frets) are changed
to F# and G (6th string, 4th and 5th frets)

1st
--2--0-----0----------------------||
--3----3-2---3-2-0-2-3---3---2----||
--2------2-----------0---------0--||
--0--------------------4-2-0-2----||
---------0-----------2---2---0----||
-----5---------4-5----------------||
           [see comments]