Artist: George Harrison Song: Behind That Locked Door Album: All Things Must Pass [30th Anniversary Edition] (2001) Written: George Harrison URL's: http://www.youtube.com/watch?v=UBfs0NhLEfQ; http://en.wikipedia.org/wiki/ I%27d_Have_You_Anytime#.22Behind_That_Locked_Door.22 [3] Style: Waltz-tempo Author: Tab annotated by rikigo [grosserr@gmail.com]. Tuning: Standard Tuning. Chords: D (xx0232@1) =========== XX0232 G (320003@1) =========== 320003 C (x32010@1) =========== 332010 Am =========== X02210 Bm =========== X24432 F (133211@1) =========== 133211 Alternate Take version: No Capo Final recorded version: Capo 1 Intro: | DG CD | DG CD | Verse 1: C (x32010@1) GWhy (320003@1)are you still crying, AmYour (x02210@1)pain is now through. D (xx0232@1) C (x32010@1) GPlease (320003@1)forget those teardrops, F (133211@1)C (x32010@1)DLet (xx0232@1)me take them from you. C (x32010@1) GThe (320003@1)love you are blessed with, AmThis (x02210@1)world's waiting for. D (xx0232@1) C (x32010@1) Bm (x24432@1) AmSo (x02210@1)let out your heart, please, please, GC GD GC GD From behind that locked door. Verse 2: C (x32010@1) GIt's (320003@1)time we start smiling, AmWhat (x02210@1)else should we do. D (xx0232@1) C (x32010@1) GWith (320003@1)only this short time, F (133211@1)C (x32010@1)DI'm (xx0232@1)gonna be here with you. C (x32010@1) GAnd (320003@1)the tales you have taught me, AmFrom (x02210@1)the things you saw. D (xx0232@1) C (x32010@1) Makes me want out your heart, Bm (x24432@1) Amplease, (x02210@1)please. GC GD GC GD From behind that locked door. Instrumental Solo: |C G|G Am| |D C|C G| |G G|G G| |G F|C D| Verse 3: C (x32010@1) GAnd (320003@1)if ever my love goes, AmIf (x02210@1)I'm rich or I'm poor. D (xx0232@1) C (x32010@1) Bm (x24432@1) AmPlease (x02210@1)let out my heart, please, please, GC GAm From behind that locked door, GC GAm D (xx0232@1)GFrom (320003@1)behind that locked door. [End] Notes: 1. Minor but important chord changes added. 2. Key change occurs between early and later versions. 3. "Writing a few years later in his book The Beatles Forever, Nicholas Schaffner viewed the "Dylanesque numbers" as "somewhat overshadowed" by those with the obvious Phil Spector production qualities, but identified them as being "far more intimate, both musically and lyrically, than the rest of the album".[38]"