#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# ARIA EN SOL, DE LA SUITE #13 As recorded by Rata Blanca (From the 1996 Album EN VIVO EN BUENOS AIRES) Transcribed by anarkkky@hotmail.com Words by Cancion Instrumental Music by J.S.Bach Gtr I (E A D G B E) - 'Walter' Seccion 1 Q=80 N.C. 4/4 Gtr I ~~ ~~ W +Q +S S S S a (x02210@1)H +Q E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E|-----------|------------------------------|-------19----------------| (022100@1)|-19--------|-(19)--(19)-17p15-17-17S19----|-(19)-----20-17----------| |-----------|------------------------------|----------------19-18-19-| |-----------|------------------------------|-------------------------| |-----------|------------------------------|-------------------------| |-----------|------------------------------|-------------------------| N.C. ~~ ~~ H Q Q a (x02210@1)W +E E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E|---------------|-15S17--------|-(17)----------------17-15-| (022100@1)|---------------|--------------|------19-------17-16-------| |-18----16--14--|--------------|---------17-16-------------| |---------------|--------------|---------------------------| |---------------|--------------|---------------------------| |---------------|--------------|---------------------------| N.C. ~~ ~~~ W +E E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1) H. E (022100@1)E|-15--------|-(15)----------------15-14-|-14-------16-17-| (022100@1)|-----------|------17-------15-14-------|----------------| |-----------|---------16-14-------------|----------------| |-----------|---------------------------|----------------| |-----------|---------------------------|----------------| |-----------|---------------------------|----------------| N.C. ~~ Q S S a (x02210@1)Q Q E (022100@1) E (022100@1)E (022100@1)S S E (022100@1)E (022100@1)Q E (022100@1) W |-------------------------|--------------------------|-------| |-15--15h17-17S19--17--15-|-14-12-12-14-15-15-14--12-|-------| |-------------------------|--------------------------|-14----| |-------------------------|--------------------------|-------| |-------------------------|--------------------------|-------| |-------------------------|--------------------------|-------| Seccion 2 N.C. ~~ ~~~ H +E S S S S E (022100@1) a (x02210@1)H. Q |---------------------------|-15S17-----------| |-14----(14)-15-14-12-14----|-----------------| |------------------------14-|-------------17--| |---------------------------|-----------------| |---------------------------|-----------------| |---------------------------|-----------------| Q a (x02210@1)Q. E (022100@1)T T T T +E |-----17S19----17-15h17p15-14-(14)-| |----------------------------------| |-16-------------------------------| |----------------------------------| |----------------------------------| |----------------------------------| N.C. Q Q +S S S S E (022100@1)E|-14--15--(15)-14-------------| (022100@1)|-----------------17-15-14----| |--------------------------16-| |-----------------------------| |-----------------------------| |-----------------------------| E (022100@1)E (022100@1)Q. E (022100@1)a (x02210@1)Q +E E (022100@1)a (x02210@1)Q S S E (022100@1)Q |-----------------------|------14-14h15--15-14-15-14--| |-------14----15-15S17--|-(17)------------------------| |-15-16-----------------|-----------------------------| |-----------------------|-----------------------------| |-----------------------|-----------------------------| |-----------------------|-----------------------------| Seccion 3 N.C. N.C. ~~~ ~~ |--3--| E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1) T T T H. +T E (022100@1) H +E E (022100@1)E (022100@1)E|----------------------------|--------------------------|------------14-------| (022100@1)|-17-15-14----14-15-17-15-14-|-14-15-14-----------------|-15----(15)----17-15-| |----------16----------------|----------16-------(16)---|---------------------| |----------------------------|--------------------------|---------------------| |----------------------------|--------------------------|---------------------| |----------------------------|--------------------------|---------------------| N.C. ~~~ ~~ a (x02210@1)H. S E (022100@1)S S S E (022100@1)Q Q E (022100@1)E (022100@1) Q. E (022100@1)H |-17S19-------17-16-14-|-14----17---------------|-------------------| |----------------------|----17------------14-15-|-14tr15------------| |----------------------|----------14--16--------|----------16-14----| |----------------------|------------------------|-------------------| |----------------------|------------------------|-------------------| |----------------------|------------------------|-------------------| Seccion 4 N.C. Q E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1) Q E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1) Q E (022100@1)E (022100@1)E (022100@1)E (022100@1)E (022100@1)E|-----------------14----|-----------------15-14-|-14--------------17-15-| (022100@1)|--------------14----17-|-17--14----14-16-------|-----16-14-16-17-------| |-14--16-17-16----------|--------16-------------|-----------------------| |-----------------------|-----------------------|-----------------------| |-----------------------|-----------------------|-----------------------| |-----------------------|-----------------------|-----------------------| N.C. ~~~ ~~ Q. +S S H H Q E (022100@1)E (022100@1) E (022100@1)E (022100@1)H +E S S |-17b19---(17)-15-17b19----|---------------15-|-15----14----(14)-16h17-| |--------------------------|------------17----|----17------------------| |--------------------------|-/14----18--------|------------------------| |--------------------------|------------------|------------------------| |--------------------------|------------------|------------------------| |--------------------------|------------------|------------------------| H.=H N.C. ~~ ~~ H +E E (022100@1)E (022100@1)E (022100@1) Q H Q E (022100@1)E (022100@1)Q. E (022100@1)Q |------------14-17S20-|-20--19--------|-------15----14-15--| |-15----(15)----------|-----------15--|-14-17--------------| |---------------------|---------------|--------------------| |---------------------|---------------|--------------------| |---------------------|---------------|--------------------| |---------------------|---------------|--------------------| Seccion 5 N.C. ~~ E (022100@1)E (022100@1)E (022100@1)S S E (022100@1)Q E (022100@1) S S Q E (022100@1)Q Q W |-----------14h15-15-14-----|----------------------|-------*| |-----15-----------------17-|-15-14-----14-15--14--|-15----*| |-/14----18-----------------|-------16-------------|-------*| |---------------------------|----------------------|-------*| |---------------------------|----------------------|-------*| |---------------------------|----------------------|-------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b (x24432@1) - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) / - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting n/ - tremolo bar dip; n = amount to dip n - tremolo bar down n/ - tremolo bar up /n - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths