Hey, this is my first tab and actually a correction to a previous tab by DW Drummer, which BTW is a nice one because is pretty easy to play and have fun... but what I am posting here is much closer to what Rodriguez actually plays, specially regarding the intro (with fretted chors, instead of open). As he uses the same chords for the whole song, I thought it would be nice to make it clear. Sugar Man by Rodriguez Am (x02210@1)Am9Dm7 (x02413@1)E7 (020130@1)C (x32010@1) D7 (xx0212@1)F (133211@1) Bb (x1333x@1)5 7 5 0 0 2 1 1 5 5 6 5 1 1 1 3 5 5 5 7 0 2 2 3 7 5 7 6 2 0 3 3 7 7 5 7 3 x 3 1 5 5 x x x x 1 x Intro: Am Am9 Dm7 E7 | Am Am9 Dm7 E7 | E7 E7 V1: Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmSugar (x02210@1)Man won't you hurry, cos I'm tired of these scenes Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmFor (x02210@1)a blue coin won't you bring back all those colours to my dreams C (x32010@1) Am (x02210@1) D7 (xx0212@1) F (133211@1) C (x32010@1) Am (x02210@1) F (133211@1) Bb (x1333x@1) ESilver (022100@1)magick ships you carry - jumpers, coke, sweet 'mary jane' V2: Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmSugar (x02210@1)Man, met a false friend on a lonely dusty road Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmLost (x02210@1)my heart, when I found it it had turned to dead black coal C (x32010@1) Am (x02210@1) D7 (xx0212@1) F (133211@1) C (x32010@1) Am (x02210@1) F (133211@1) Bb (x1333x@1) ESilver (022100@1)magick ships you carry - jumpers, coke, sweet 'mary jane' v3: Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmSugar (x02210@1)Man you're the answer that makes my questions disappear Am (x02210@1) Am9 (x02413@1) E7 (020130@1) Dm7 E7 (020130@1) AmSugar (x02210@1)Man, cos I'm weary of those double games I hear (Am Am9 (x02413@1) Dm7 E7) Sugar Man, Sugar Man, Sugar Man, Sugar Man, Sugar Man, Sugar Man, Sugar Man, Sugar Man ##Listen to song for timing ##Do yourself a favor and watch the movie "Searching For Sugar Man"! ##Corrected by Pedro Conforti