_____________________
   / Tim Christensen    /   standard tuning
  / Stranger           /    capo on 2nd fret
 / Secrets on Parade  /     key: F# minor
/____________________/      time: 6/8

The intro-figure exemplifies the picking pattern pretty well. So when chords are
notated just once in the bars, follow that pattern, unless the bar is specified.
+------------------------------------------------------------------------------+

Intro:
    F#m (244222@1)                    4x
||---------------------------||
||o-------------------------o||
||--------4-----4-----4------||
||--4h5---5-----5-----5------||
||o-7---7-7-7---7---7-7-7-7-o||
||--0---0---0---0---0---0-0--||



1st Verse:
    F#m (244222@1)                     F#m7 (131141@2)    Bm/D      Bm/D     2x
||--------------------------|---------|---------|----------||
||o-------------------------|---------|---------|---------o||
||--------4-----4-----4-----|-7-------|-9-------|-9--------||
||--4h5---5-----5-----5-----|-5-------|-7-------|-7--------||
||o-7---7-7-7---7---7-7-7-7-|-7-------|-x-------|-x-------o||
||--0---0---0-------0---0-0-|-0-------|-8-------|-8--------||

G#?/B    F#m/C# C#5     F#m  F#m6   F#m(#5)   G#?/B    F#m/C# C#5
|---------|-------------|-----------|---------|---------|-------------|
|---------|-------------|-----------|---------|---------|-------------|
|-5-------|-4-----4-----|-4----6----|-5-------|-5-------|-4-----4-----|
|-4-------|-5-----4-----|-5----5----|-5-------|-4-------|-5-----4-----|
|-0-------|-x-----x-----|-7----7----|-7-------|-0-------|-x-----x-----|
|---------|-7-----7-----|-0----0----|-0-------|---------|-7-----7-----|

F#m (244222@1)                    2x
||---------------------------||
||o-------------------------o||
||--4-----4-----------4------||
||--5-----5-----4h5---5------||
||o-7---7-7-7-7-7---7-7-7-7-o||
||--0---0---0-0-----0---0-0--||



Interlude: (band enters)
  F#m
|-0^----------------------|-------------------------|
|-0^----------------------|-------------------------|
|-4^----4-----------4-----|-------4-----------4-----|
|-5^----5-----4h5---5-----|-4h5---5-----4h5---5-----|
|-7^--7-7-7-7-7---7-7-7-7-|-7---7-7-7-7-7---7-7-7-7-|
|-0^--0---0-0-----0---0-0-|-0---0---0-0-----0---0-0-|



2nd Verse:
similar to 1st Verse, except for...

...this fill in the second      ...and the last line:
 bar of Bm/D, both times...                 
  Bm/D                            F#m (244222@1)     F#m (244222@1)E9|-------------------------| (020132@1)    |-0-------|-0----0----|
|-------------------------|     |-0-------|-0----3----|
|-7h9---9-----9---9-------|     |-0-------|-0----5----|
|-7-----7-----7---7-------|     |-2-------|-2----4----|
|-x-----x-----x---x-------|     |-2-------|-2----5----|
|-8---8-8-8---8---8---8---|     |-0-------|-0---------|



Bridge:
   A7sus4A7     A7sus4A7      Dmaj7 (xx0222@1)   Dmaj7 (xx0222@1)  2x
||--3-----3-----|-3-----3-----|-0-------|-0--------||
||o-3-----3-----|-3-----3-----|-0-------|-0-------o||
||--5-----4-----|-5-----4-----|-0-------|-0--------||
||--3-----3-----|-3-----3-----|-2-------|-2--------||
||o-5-----5-----|-5-----5-----|-3-------|-3-------o||
||--3-----3-----|-3-----3-----|-3-------|-3--------||

Bm7 (x20202@1)     C#7 (x4342x@1)     F#m (244222@1)E (022100@1)    B/D#|-0-------|-2-------|-0----2----|-0-------| (x2544x@1)|-1-------|-0-------|-0----3----|-2-------|
|-0-------|-2-------|-0----2----|-2-------|
|-2-------|-1-------|-2----0----|-2-------|
|-0-------|-2-------|-2---------|-4-------|
|---------|---------|-0---------|---------|

Dsus2#11 D(add2) D(add2)   C#7 (x4342x@1)                     C#7(#5)
|-2------0-----|-0-------|-2-----2---2-2-----2---2-|-3^------|
|-3------3-----|-3-------|-0-----0---0-0-----0---0-|-0^------|
|-0------0-----|-0-------|-2-----2---2-2-----2---2-|-2^------|
|-x------x-----|-x-------|-1-----1---1-1-----1---1-|-1^------|
|-3------3-----|-3-------|-2-----2---2-2-----2---2-|-2^------|
|--------------|---------|-------------------------|---------|



3rd Verse:
similar to 1st Verse.



Guitar Solo/4th Verse:
similar to 2nd Verse, but add this wonderful fill in the second bar of Bm/D:

*Bm/D
|-------------------------|
|-8-7---7-----------------|
|-7---9-7-----9---9-9-----|
|-7---7-7-----7---7-7-----|
|-x-----------x---x-x-----|
|-8-------8-8-8---8-8-8---|

********************************************************************************

Electric guitar part (no capo)

F#m (244222@1)                     F#m7---||-------------------------|-------------------------| (131141@2)---||---.---------------------|-------------------------|  . = staccato
---||-4b6--4b6-2~~------------|-------------4b6---------|
-4-||-------------------------|-----------4-------------|
---||-------------------------|-------------------------|
---||-------------------------|-------------------------|

Bm/D                     *Bm/D
|-------------------------|-------------------------|
|----.--------------------|----------------------.--|
|(6)b7-4b6~--r4p2-4~~-----|------------------2-4b6--|
|-------------------------|-------------------------|
|-------------------------|-------------------------|
|-------------------------|-------------------------|

F#m (244222@1)                     F#m7|-2-----------------------|-------------------------| (131141@2)|---5---------------------|---------------10p9------|
|-----4b6~----------(6)r4-|----------9h11------9/11-|
|-------------------------|------/11----------------|
|-------------------------|-------------------------|
|-------------------------|-------------------------|

Bm/D                      Bm/D
|-------------------------|-----------------------------|
|-10p9--------------------|-----------------------------|
|------9/11---------------|(11)-------16pb18---r16p14--|
|-------------------------|---------------------------16|
|-------------------------|-----------------------------|
|-------------------------|-----------------------------|

G#?/B                     F#m/C#            C#5|-------------------------|------------------------------| (x133xx@4)|-------------------------|-14h15------------------------|
|-14h16~~-----------14-16-|-------16b18-14h16~~----------|
|-------------------------|---------------------------16-|
|-------------------------|------------------------------|
|-------------------------|------------------------------|

F#m (244222@1)          F#m6 (2x4242@1)           F#m(#5)
|-------------------------------|---------------------------|
|-17b19----r17p14---------------|----------------------5----|
|----------------16b18----r16p14|-14h16~~---------4h6---64|
|-------------------------------|---------------------------|
|-------------------------------|---------------------------|
|-------------------------------|---------------------------|

G#?/B                     F#m/C#      C#5|-------------------------|-------------------------| (x133xx@4)|-----------------------5-|-------------------------|
|-2h4~~----------2-4-4/6--|-64p21---------1h2p1---|
|-------------------------|-----------------------4-|
|-------------------------|-------------------------|
|-------------------------|-------------------------|

F#m (244222@1)                     F#m (244222@1)       E9 (020132@1)           A7sus4|-------------------------|-------------------------||--------| (002033@1)|-------------------------|-------------------------||--------|
|-------------------------|-------------------------||--------|
|-------------------------|-------------------------||--------|
|-------9----------11---|-------12----11~~--------||-12~~---|
|-2---/-------2---/-------|-2---/-------------------||--------|

********************************************************************************



Bridge:
similar to previous



Outro:
  G#?(add4)/B               C#5(addb9)
|-------------------------|-------------------------|
|-------------0-----------|-------------0-----------|
|-------5---------5-------|-------5---------5-------|
|-----4-----4---------4---|-----4-----4---------4---|
|-0-----------------------|-------------------------|
|-------------------------|-7-----------------------|

F#m (244222@1)       F#m6 (2x4242@1)        F#m(#5)
|-----------0-----------0-|-------------------------|
|-------------------------|-------------------------|
|---------4---6-------6---|-5-----------------------|
|-------5-----------5-----|-------------------------|
|-----7-----------7-------|-------------------------|
|-0-----------------------|-------------------------|
                                            "So I
  G#?(add4)/B               C#(addb9)                 F#m|-------------------------|-------------------------|-0^---| (244222@1)|-------------0-----------|-------------0-------4---|-0^---|
|-------5-----------------|-------5-----------------|-0^---|
|-----4-----4-------------|-----4-----4-------------|-2^---|
|-0-----------------------|-------------------------|-2^---|
|-------------------------|-7-----------------------|-0^---|
  call                      out                 your  name."



+------------------------------------------------------------------------------+
Jon Sebastian Frederiksen - 28th /January /12
Just mail me at Maitinin@gmail.com with questions, comments and corrections!