Deadlines Tab by My Vitriol ¸,.-·´¨¯¨`·.,¸¸,.-·´¨¯¨`·¸,.-·´¨¯¨`·,¸ DEADLINES by MY VITRIOL ¸,.-·´¨¯¨``· from BETWEEN THE LINES ·``¨¯¨´·-.,¸ Tabbed by: Luke Rounda Email: luke at notus dot com Updated 08/25/2006: should be pretty close to 100% accurate now. _____________ PLAYING NOTES ~~~~~~~~~~~~~ TUNING -- Standard, Down One Whole Step (D G C F A D) To play along with the record, you must tune your guitar down one whole step from standard, give or take some production tricks that may have left the guitars tuned slightly sharp or flat. In the world of music majors, this is not a mistake, it's called "micro- tonality." Either way it's a bitch to tune the guitar to, so my recommendation is to use the pitchshifter function available on many commerically-available sound editing programs (Cool Edit, Audacity, pretty much anything with a multi-track view) to tune the song to your guitar. Effects used: whammy, light chorus and/or phaser, distortion/over- drive. You can get by without a whammy, and I've shown the method of doing so here, but it's not going to sound as clean or tuneful as on the recording unless you're Superman (ie. faster than a speeding bullet). Chorus effect is noticeable mostly on the lead lines, but the rhythm parts have a vague but audible "ghostly" feel to them too, suggesting that there may be some light chorus or phaser applied to Som's part. Old Digitech products (like the XP-300 Space Station that Som uses) sometimes color/compress the tone in weird ways and leave digital artifacts; this may be what I'm hearing. Your mileage may vary. intro/main riff Am E5 F5 E5 Dsus d|--------------0--------0-------0-------0-------0-------5-----5~~| A|-----1--------0--------0-------0-------0-------0-------5-----5~~| F|-----2-0----4---4----5---5---5---5---4---4---4---4-----5-----5~~| C|---2---0--2--------3-------3-------2-------2---------7---7---7~~| G|-0-------------------------------------------------5---------5~~| D|----------------------------------------------------------------| SLIDE........SLIDE |------/////---20---\\\\\---|-------------------------------------| |-1-1--/////---17---\\\\\---|--13-----------12--------------------| |-2-2--/////---17---\\\\\---|-------------------------------------| |-2-2-----------------------|--10------------9--------------------| |-0-0-----------------------|-----(0)---(0)-----------------------| |---------------------------|--------(0)--------------------------| ^ tremolo picking throughout lead guitar |-----------------------20-19-17----19----20----------------------| |--------------------------------17----17-------------------------| |-----------------------------------------------------------------| |-17-16-14----16----17--------------------------------------------| |----------14----14-----------------------------------------------| |-----------------------------------------------------------------| ^ This part can also be done with a whammy set up one octave rhythm guitar after trempicking part |-----(0)(0)(0)-|R| |------------------0--------------------| |------0--1--0--|E| |------3---3--5--3----------------------| |---------------|P| then |---------------------------------------| |---/2----------|E| |---/4---4------------------------------| |-0-------------|A| |-0-------------------------------------| |---------------|T| |---------------------------------------| repeat 3x bridge bridge lead |-9-----/----0-------------------|-/12--10--9-----12--10--9-------| |-7-----/----9-------------------|------------/10-----------------| |-7-----/----9-------------------|--------------------------------| |-7-----/----7-------------------|--------------------------------| |-0-----/----0-------------------|--------------------------------| |--------------------------------|--------------------------------| ^ Rhythm should be easy to figure out. Make sure to strum the whole chord and arpeggiate as appropriate and it should sound right. break |----------------| |-x-----x--------| | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato/let ring | harmonic | x Mute note | () ghost note (optional) ================================================================== This is my interpretation of the song. As of this writing, there is no sheet music for My Vitriol, so no one has justification to prosecute or harm me in any way. Comments, corrections, requests and everything else besides spam are welcomed addressed to: Luke Rounda ==================================================================