Captor Of Sin Tab by Slayer



-/
/ The following is the author's own interpretation of the song, to be used  /
/ for private use and studying                                             /
/-------------------------------------------------------------------------/
                             SLAYER - CAPTOR OF SIN
                          From the Album SHOW NO MERCY       
                        Copyright 1987 METAL BLADE RECORDS
                      
                           Version 1.0 - October 1998

Transcription By: Mike Kimball

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.  - palm mute                  /  - slide up to
\  - slide down to              ~  - vibrato             
h  - hammer on                  b  - bend 
p  - pull off                        Suffixes for bend    
ph - pinch harmonic                      f - full bend    h - half bend
*  - see comment                         r - release      t - tap bend
X  - percussion mute                     ~ - vibrato bend
@  - slight palm mute           () - ghost note, sustained note

Tuning: Eb(Eb,Ab,Db,Gb,Bb,Eb)                  


Fig. 1
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2-3--------
   |_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_| 

|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--------------------------------------------3--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2----------
   |_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
                                           End Fig. 1

Fig. 2
|--------------------------------------------------
|--------------------------------------------------
|------------------------------3-------------------
|--5>4-------------------------3---5-4-------------
|--5>4-------------------------1---5-4-------------
|--3>2-2-2-2-2-2-2-2-2-2-3-0-0-----3>2-2-2-2-2-2-2-
   |___|_| |_|_|_| |_|_|_| |_|_|__ |___|_| |_|_|_| 

|-----------------
|-----------------
|--------------5--
|--------------5--
|--------------3--
|--2-2-2-3-0-0----
   |_|_|_| |_|_|__
             End Fig. 2

Fig. 3
|------------------------------------------------------
|------------------------------------------------------
|------------------4-------------------3---------------
|------------------4-------------------3---------------
|------------------2-------------------1---------------
|--2h3h5-2h3h5-0-0-----2h3h5-2h3h5-0-0-----2h3h5-2h3h5-
   |_|_| |_|_|         |_|_| |_|_|         |_|_| |_|_|

|-----------------------------
|-----------------------------
|------4-------------------8--
|------4-------------------8--
|------2-------------------6--
|--0-0-----2h3h5-2h3h5-0-0----
           |_|_| |_|_|
                           End Fig. 3

Fig. 4
|----------------------------------
|----------------------------------
|----------------------------------
|------------------2-------4-3-2---
|--2-------4-3-2-----3-2-1-------3-
|----3-2-1-------3-----------------


Fig. 5
|------------------------------------------------------
|------------------------------------------------------
|----------9>8-12>11---------6>5-------------9>8-12>11-
|----------9>8-12>11---------6>5-6>5---------9>8-12>11-
|----------7>6-10>-9---------4>3-6>5---------7>6-10>-9-
|--0-0-0-0-----------0-0-0-0-----4>3-0-0-0-0-----------

|----------------
|----------------
|----------------
|----------9-8-7-
|--7-----7-------
|----8-7---------
               End Fig. 5

Fig. 6
|------------------------------------------------
|------------------------------------------------
|--5-----------------8-----7-----------12-----11-
|--5-----4-----5-----8-----7-----8-----12-----11-
|--3-----4-----5-----6-----5-----8-----10------9-
|--------2-----3-----------------6---------------


That is basically all the rhythm parts; though there are a few details 
left out.  Use your ears--you should be able to figure it out.

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