------------------------------------------------------------------------------- Helping Hand - Goat Rodeo Sessions ------------------------------------------------------------------------------- Written and performed by: Yo-Yo Ma, Chris Thile, Stuart Duncan, Edgar Meyer Tabbed by: theredlongitude Email for comments/corrections/hate mail etc: killmashno@yahoo.com A lovely album and a beautiful piece. Tuning: E Standard Main Just vary the notes on the high E string to get most the "verses." e||---------------------0--------0--------------5---------------1--------0--------|| B||*--------1--------------3--------3-------------5-3--------------3--------3----*|| G||-------2----------0--------0--------0-----(0)-------0-----0--------0--------0--|| D||-----3---------3--------3--------3-----(3)------(3)----3--------3--------3-----|| A||*-0---------1---------------------------------------1-------------------------*|| E||-------------------------------------------------------------------------------|| |-8----| Alt for the two high notes |---10-| |------| |------| |------| |------| Chorus Time signature switches in the middle from 4/4 to 3/4, but it's pretty intuitive. e||---------------------0----0--0--0----0--0--0----0--0---|| B||*--------------------0h1--1--0--0h1--1--0--0h1--1--0--*|| G||---------------------0h2--2--0--0h2--2--0--0h2--2--0---|| D||-------2--0----------0h2--2--0--0h2--2--0--0h2--2--0---|| A||*----2------2--0-----0----0--0--0----0--0--0----0--0--*|| E||--0--------------3---0----0--0--0----0--0--0----0--0---|| |-------0------------| Alt for beginning |----------3-0-------| |-----0---------2-0--| |--2-----------------| |--------------------| |--------------------| Bridge chords e||--10---8---9---0--|| B||--10---8---7---0--|| G||--10---9---7---0--|| D||---0---0---0---2--|| A||---0---0---0---0--|| E||------------------|| The strumming patterns are a little odd and the time signature change might throw you off, count like this: 1-2-3-4,1-2-3-4,1-2-3-4,1-2 You can other just do normal strumming or you can try to copy the mandolin's more organic pattern. Listen to the actual track to get it. Guitar Fill 1 (1:28) e||----------------------------|| B||----------------------------|| G||----------------------------|| D||--------0--0g2--0-----------|| A||--0--3-----------3p2p0------|| E||----------------------3--0--|| Guitar Solo (2:20) e||---------------------------------------------------------------------------| B||----------------------------0--1-3--0-3g5--3g5--------5p4p3---3------------| G||----------------0-2----0--2---------------------------------5--------5/7---| D||----------0-2h4------4-----------------------------------------------------| A||--0--2-3---------------------------------------------------------0---------| E||---------------------------------------------------------------------------| e|----------------------------------------------------------------------------| B|---5----------1-------------------------------------------------------------| G|-----7br-5--2----2-2--0-2--0------------------------------------------------| D|----------------------------2--1-0--0-2p1p0---------------------------0--2/-| A|-------------------------------------------2p1p0-------------0--0-3b--------| E|-------------------------------------------------3p2p1-0--3b ---------------| e|---------------------------------------------------------------------------|| B|--------------5h6-----5h6-----5h6----53--1h3p1-0--------------------------|| G|--------5-----5-------5-------5--------------------2-0---2-0---------------|| D|---5-7-----7-------7-------7-------7-------------------2-----2-1-0---------|| A|---7---------------------------------------------------------------3--2-0--|| E|---------------------------------------------------------------------------|| Guitar Fill 2 (3:53) e||-----0-----------------------0-----------------------0--|| B||-----1---------------------1----1--------------------0--|| G||-----2----------------0-2---------2--0---------------2--|| D||-----2----------0-2h4------------------2-------------2--|| A||--0--0--0--2-3----------------------------0----------0--|| E||--------------------------------------------0---0--0-0--|| That's about it for the acoustic guitar. Maybe if I get the energy I'll transcribe the mandolin. For now, good luck and have fun. ------------------------ Key h p: hammer-on/pull-off / : slide up/slide down b r: bend/release g: grace note ------------------------ Tabs too difficult? Try these easy step-by-step video lessons and learn fast! UG plus: remove banner comments We did not receive enough feedback on this tab! Please rate: print report bad tab 1 2 3 4 5 I want to post comment or correction [tab] guest You may want to rate the tab now too: select rating Please do not post tabs as comments. Select "correction" instead! var current_rating = 0; var current_rating_count = 0; var tabid = 1420190; var ug_serv = ".ultimate-guitar.com"; var tabs_user_id = 3935416; var transpose_to = 0; var has_ad_free = '0'; var ga_preffix = 'Text tabs '; $('.etp_banner .close_etp').click(function(){ $(this).parents('.etp_banner').css('height', 0).removeClass('open'); return false; }); $('.etp_banner .buybtn').click(function(){ $('.etp_banner').css('height', 0).removeClass('open'); }); © 2013 Ultimate-Guitar.com or its affiliates. All rights reserved     About | Help | Site Map | Link To Us | TOS | Privacy Policy | Advertise | Contact var artist_id = 32516; var name_art = 'chris thile'; var main_server_name = 'ultimate-guitar.com'; var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-9160560-1']); _gaq.push(['_setDomainName', '.ultimate-guitar.com']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })(); document.write(unescape("%3Cscript src='" + (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js' %3E%3C/script%3E")); COMSCORE.beacon({ c1:2, c2:6745264, c3:"", c4:document.location, c5:"", c6:"", c15:"" }); (function (d, w, c) { (w[c] = w[c] || []).push(function() { try { w.yaCounter18746557 = new Ya.Metrika({id:18746557, webvisor:true, clickmap:true, trackLinks:true, accurateTrackBounce:true}); } catch(e) { } }); var n = d.getElementsByTagName("script")[0], s = d.createElement("script"), f = function () { n.parentNode.insertBefore(s, n); }; s.type = "text/javascript"; s.async = true; s.src = (d.location.protocol == "https:" ? "https:" : "http:") + "//mc.yandex.ru/metrika/watch.js"; if (w.opera == "[object Opera]") { d.addEventListener("DOMContentLoaded", f, false); } else { f(); } })(document, window, "yandex_metrika_callbacks"); . $(document).ready(function(){abd_event()});function abd_event(){0==$(".yahooAd").height()?_gaq.push(["_trackEvent","AdBlock","AdBlock detection test","With AdBlock"]):_gaq.push(["_trackEvent","AdBlock","AdBlock detection test","Without AdBlock"])};