WEAR MY RING AROUND YOUR NECK (Bassline) As recorded by Elvis Presley (From the 1959 Album 50,000,000 ELVIS FANS CAN'T BE WRONG: ELVIS' GOLDEN RECORDS, VOL. 2) Words and Music by Bert Carroll & Russell Moody Transcribed by Slowhand Gtr I (E A D G) – 'Bill Black – Bass' Intro Q=212(8=s8) 4/4 Gtr I W W Q Q Q Q W E E Q Q Q |––––––––––|––––––––––|–––––––––––––|––––––––––|–––––––––––––––| |––––––––––|––––––––––|–––––––––––––|––––––––––|–––––––––––––––| |––––––––––|––––––––––|––––––––––4––|–5––––––––|–5–––––––––4–––| |––––––––––|––––––––––|––––5––7–––––|––––––––––|–––––5––7––––––| Chorus $ $$ Q. Q. Q Q Q H E E Q Q Q Q Q Q Q |––––––––––––––|––––––––––––||–––––––––––––––|––––––––––––––| |––––––4––––7––|––––––––––––||o––––––––––––––|––––4––7––4–––| |–5––––––––––––|–5––––––––––||o–5–––––––––4––|–5––––––––––––| |––––––––––––––|––––––––––––||––––––5––7–––––|––––––––––––––| Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––––––| |––––4––7––4––|––––4––7––4––|––––4––7––4––|––––––––––––––| |–5–––––––––––|–5–––––––––––|–5–––––––––––|–5––5––4––––––| |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––7–––| Q Q Q Q Q H Q Q. Q. Q Q Q Q Q Q Q Q Q |–––––––––––––|––––––––––––|––––––––––––––|–––––––––––––|–––––––––––––––| |–––––––––––––|–7––9––––7––|––––––4––––7––|––––––––––4––|–5–––––––––––––| |––––4––7––4––|––––––––––––|–5––––––––––––|–5––5––7–––––|––––7––5–––––––| |–5–––––––––––|––––––––––––|––––––––––––––|–––––––––––––|––––––––––7––––| 1. To Coda Q Q Q Q Q Q Q Q q Q H Q Q Q Q Q Q Q Q |–––––––––––––|–––––––––––––|––––––––––––|–––––––––––––|––––––––––––––––|| |–––––––––––––|––––4––7––4––|––––––––––––|––––4––7––4––|––––4––7––9––––o|| |–––––––5––7––|–5–––––––––––|––––––––––––|–5–––––––––––|–5–––––––––––––o|| |–5––7––––––––|–––––––––––––|–5––––––––––|–––––––––––––|––––––––––––––––|| Bridge 2.,D.S. Q Q Q Q Q Q Q Q Q Q Q Q |–––––––––––––||–––––––––––––9––|–10––9–––––––––| |–––––––––––––||o–––––9––12–––––|––––––––12––9––| |–5––5––7––9––||o–10––––––––––––|–––––––––––––––| |–––––––––––––||––––––––––––––––|–––––––––––––––| Q Q Q Q Q Q Q Q 3x |––––––––––––9––|––––––––––––––––––|| |–––––9––12–––––|–12––9–––––––––––o|| |–10––––––––––––|––––––––12––9––––o|| |–––––––––––––––|––––––––––––––––––|| D.S. D.S. Q Q Q Q Q Q Q Q Q Q Q Q q H Q |––––––––––6––|–9––6––––––––|––––––––––––––|–––––––––––––|| |––––6––7–––––|–––––––9––6––|–7––9––10––9––|–7–––––––––––|| |–7–––––––––––|–––––––––––––|––––––––––––––|–––––––––––––|| |–––––––––––––|–––––––––––––|––––––––––––––|–––––––––––––|| Outro & Q Q Q Q Q. Q. Q q Q H Q Q Q Q |–––––––––––––||––––––––––––––|––––––––––––|––––––––––––––| |–––––––––––––||––––––––––––––|––––––––––––|––––4––7––4–––| |–5––––––––7––||––––––4––––7––|––––––––––––|–5––––––––––––| |–––––––––––––||–5––––––––––––|–5––––––––––|––––––––––––––| q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q |–––––––––––––|–––––––––––––|–––––––––––––|––––––––––4–––| |–––––––4––7––|––––––––––4––|–7––5––4–––––|––––4––7––––––| |–5–––––––––––|––––4––7–––––|––––––––––7––|–5––––––––––––| |–––––––––––––|–5–––––––––––|–––––––––––––|––––––––––––––| Q Q Q Q Q Q Q Q Q E E +E E Q +W +W |––––––––––4––|–––––––––––––|–––––––––––––––––|––––––––––––|––––––––*| |––––4––7–––––|–7––9––7––9––|–––––––––––––––––|––––––––––––|––––––––*| |–5–––––––––––|–––––––––––––|–5––––5–(5)–––5––|–(5)––––––––|–(5)––––*| |–––––––––––––|–––––––––––––|–––––––––––––––––|––––––––––––|––––––––*| Duration Legend ––––––––––––––– W – whole; H – half; Q – quarter; E – 8th; S – 16th; T – 32nd; X – 64th; a – acciaccatura + – note tied to previous; . – note dotted; .. – note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi– bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend –––––––––––––––– h – hammer–on p – pull–off b – bend pb – pre–bend r – bend release (if no number after the r, then release immediately) /\ – slide into or out of (from/to "nowhere") s – legato slide S – shift slide – natural harmonic [n] – artificial harmonic n(n) – tapped harmonic ~ – vibrato tr – trill T – tap TP – trem. picking PM – palm muting \n/ – tremolo bar dip; n = amount to dip \n – tremolo bar down n/ – tremolo bar up /n\ – tremolo bar inverted dip = – hold bend; also acts as connecting device for hammers/pulls <> – volume swell (louder/softer) x – on rhythm slash represents muted slash o – on rhythm slash represents single note slash Misc Legend ––––––––––– | – bar || – double bar ||o – repeat start o|| – repeat end *| – double bar (ending) : – bar (freetime) $ – Segno & – Coda Tempo markers – = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths